"Variations on an Original Theme, Op. 36 "Enigma": 13. Romanza *** (Moderato)" by Edward Elgar, London Symphony Orchestra, Eugen Jochum had its release date on January 1, 1975. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Variations on an Original Theme, Op. 36 "Enigma": 13. Romanza *** (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 25 in Elgar: Variations On An Original Theme, Op. 36 "Enigma" / Brahms: Variations On A Theme By Haydn, Op.56a by London Symphony Orchestra, Eugen Jochum. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations on an Original Theme, Op. 36 "Enigma": 13. Romanza *** (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 13. Romanza *** (Moderato) by Edward Elgar, London Symphony Orchestra, Eugen Jochum is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Major | 1 | 9B | 171 BPM | ||
| Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
| 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
| Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | ||
| Symphony in B Minor (arr. T. Finno for orchestra): Ii. Un poco lento, cantabile | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | E♭ Major | 1 | 5B | 92 BPM | ||
| Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
| Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
| Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
| Butterfly Lovers Violin Concerto: III. Adagio assai doloroso | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez, Ng Pei-Sian | D Major | 1 | 10B | 101 BPM | ||
| Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 132 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
| Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
| Pärt: Spiegel im Spiegel | Arvo Pärt, Renaud Capuçon, Guillaume Bellom | F Major | 0 | 7B | 85 BPM | ||
| Schwanengesang, D. 957: Ständchen | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM |