Woods's ' "Walk The Dogs" was released on its scheduled release date, January 16, 2007. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 8 out of 11 in At Rear House by Woods. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Walk The Dogs's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Walk The Dogs by Woods is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Desert Raven | Jonathan Wilson | D Minor | 6 | 7A | 189 BPM | ||
| Lightworks | Atlas Sound | E Major | 5 | 12B | 111 BPM | ||
| i can see my house from here | The Glands | D♭ Major | 5 | 3B | 104 BPM | ||
| Beach Comber | Real Estate | C Major | 8 | 8B | 145 BPM | ||
| Be There Still | Woods | G Major | 3 | 9B | 202 BPM | ||
| Rubin and Cherise | Bonnie Prince Billy | F Major | 9 | 7B | 86 BPM | ||
| Kodiak | Ultimate Painting | C Major | 7 | 8B | 118 BPM | ||
| The One I Love | Night Shop | F Minor | 8 | 4A | 146 BPM | ||
| Runnin | Ohtis | A Minor | 3 | 8A | 134 BPM | ||
| Big Wheel | Cass McCombs | C Minor | 6 | 5A | 84 BPM | ||
| Modern Music | Dick Stusso | F♯ Minor | 3 | 11A | 82 BPM | ||
| Backseat | Darker My Love | D♭ Major | 8 | 3B | 92 BPM | ||
| How Can You Really | Foxygen | C Major | 7 | 8B | 120 BPM | ||
| The Atlantic Ocean | Richard Swift | D Major | 7 | 10B | 170 BPM | ||
| Can't See at All | Woods | B♭ Minor | 8 | 3A | 76 BPM | ||
| Fell so Hard | Woods | A Minor | 9 | 8A | 155 BPM | ||
| Your Island | Quilt | B Minor | 8 | 10A | 162 BPM | ||
| Sweetness | Damien Jurado, Richard Swift | A Major | 5 | 11B | 155 BPM | ||
| Sincere Replies | Damien Jurado, Richard Swift | D Major | 6 | 10B | 108 BPM | ||
| Uncast Shadow of a Southern Myth | Parquet Courts | G Major | 6 | 9B | 76 BPM | ||
| My Lady's On Fire | Ty Segall | E♭ Major | 5 | 5B | 83 BPM | ||
| Hollow Home | Woods | F♯ Minor | 8 | 11A | 145 BPM | ||
| The Take | Woods | A Minor | 5 | 8A | 147 BPM | ||
| Name Written in Water | Cass McCombs | C Major | 4 | 8B | 131 BPM | ||
| New Illusion | Houndstooth | A Minor | 5 | 8A | 82 BPM |