Raghunath Manet, Nithyasree Mahadevan's ' "Hay Lesaa" was released on its scheduled release date, January 1, 2001. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Pondy Cherie". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Hay Lesaa's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hay Lesaa by Raghunath Manet, Nithyasree Mahadevan having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Tillana - Raga Hamir Kalyani feat. Akshay Anantapadmanabhan | Ambi Subramaniam | E♭ Major | 3 | 5B | 86 BPM | ||
| Payoji | Mysore M. Nagaraj, Pravin Godkhindi | A Major | 8 | 11B | 155 BPM | ||
| Kaakkai Siraginile | Rajhesh Vaidhya | D Minor | 3 | 7A | 110 BPM | ||
| Nagumomu - Abheri | Tyagaraja, K. S. G. Somanathan | E Minor | 7 | 9A | 126 BPM | ||
| Mishra Pahadi - Mishra Pahadi - Dhun | Tarun Bhattacharya, Pravin Godkhindi | E Minor | 4 | 9A | 140 BPM | ||
| Srivalli Devasena Pathe - Natabhairavi - Adi | Ranjani-Gayatri | G Minor | 7 | 6A | 165 BPM | ||
| Sarasaganalola | Raghunath Manet | E Minor | 4 | 9A | 100 BPM | ||
| Nee Paadame | U. Srinivas | C Minor | 5 | 5A | 148 BPM | ||
| Ramabhirama Darbar Misrachappu | Kunnakudi Vaidyanathan | E Major | 8 | 12B | 178 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Om Shiva | Raghunath Manet, Sivamani | D♭ Major | 9 | 3B | 96 BPM | ||
| Annamaya | R Manjunath | F♯ Major | 5 | 2B | 125 BPM | ||
| Mangalam | Ranjani, Gayathri | A Major | 8 | 11B | 130 BPM | ||
| Sakhi Prana (Jaavali) - Raga: Senchurutti / Tala: Aadhi (Dharmapuri Subbaraya) | Jayanthi Kumaresh | A♭ Major | 5 | 4B | 79 BPM | ||
| Varṇam - Rāgam: Kalyānī | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 137 BPM | ||
| Raga Yaman Alap | Shahid Parvez | D♭ Major | 1 | 3B | 79 BPM | ||
| Bansuri & Tabla (Live) | Pandit Atul Shankar, Ravi Tripathi | G Major | 6 | 9B | 127 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Bilak Uzuk (Bracelet) | Sirojiddin Juraev, Salar Nader | B♭ Major | 2 | 6B | 139 BPM | ||
| Kolaru Thiru Pathigam | Shantha Ranganathan | D Major | 7 | 10B | 87 BPM | ||
| Shanmukhapriya | Raghunath Manet | A♭ Minor | 4 | 1A | 98 BPM | ||
| Bhajare Gopalam | N. Ramani | E♭ Minor | 2 | 2A | 169 BPM | ||
| Vaananai Madhi Soodiya (Tamil) | Sounds of Isha | F♯ Major | 1 | 2B | 85 BPM | ||
| Swara Raga Sankarabharanam Adi Thyagaraja | Sheik Chinna Moulana | A Major | 7 | 11B | 99 BPM |