"Seventh Composition (feat. Klaus Gesing & Peter Herbert)" by Uli Rennert, Klaus Gesing, Peter Herbert had its release date on May 6, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 8 in Composition by Uli Rennert, Klaus Gesing, Peter Herbert. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Seventh Composition (feat. Klaus Gesing & Peter Herbert) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seventh Composition (feat. Klaus Gesing & Peter Herbert) by Uli Rennert, Klaus Gesing, Peter Herbert is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Memories, Episode 10 | Tomasz Trzcinski | D♭ Minor | 0 | 12A | 110 BPM | ||
| Principe | R.S. Levi | N/A | N/A | N/A | 0 BPM | ||
| Piano & Violoncello 9 | Irena And Vojtech Havlovi | G Minor | 0 | 6A | 66 BPM | ||
| Undine | Hilgrove Kenrick, Nick Norton-Smith | G Major | 2 | 9B | 89 BPM | ||
| Day | Roberto Fonseca, Vincent Segal | F♯ Major | 3 | 2B | 120 BPM | ||
| Meeting and Passing | Alina Berdeu | D Minor | 0 | 7A | 63 BPM | ||
| still | Tashi Dorji | F♯ Major | 3 | 2B | 120 BPM | ||
| Système deux | Nicolas Bernier Nathan Giroux, Nicolas Bernier, Nathan Giroux, Pur Pasteur | F♯ Major | 3 | 2B | 120 BPM | ||
| forest of mute sadness | Joseph Warner | C Minor | 0 | 5A | 120 BPM | ||
| Nautical Pulse | Arve Henriksen, Eivind Aarset, Terje Isungset | A♭ Major | 1 | 4B | 68 BPM | ||
| Traces IV | Tigran Hamasyan, Arve Henriksen, Eivind Aarset, Jan Bang | A♭ Minor | 0 | 1A | 133 BPM | ||
| Nachtmahr | Michael Wollny, Eric Schaefer, Christian Weber | C Major | 1 | 8B | 119 BPM | ||
| When You Were Real | David Preston, Kit Downes, Sebastian Rochford, Kevin Glasgow | C Minor | 1 | 5A | 87 BPM | ||
| Attention Span Take 5&6 | R.Kuhn | G Minor | 0 | 6A | 67 BPM | ||
| Port | Palle Mikkelborg | F♯ Major | 3 | 2B | 120 BPM | ||
| Brilliant Waters | Florian Weber, Ralph Alessi, Linda May Han Oh, Nasheet Waits | C Major | 0 | 8B | 86 BPM | ||
| A Train Passing Somewhere | Quiet Swing | F♯ Major | 3 | 2B | 120 BPM | ||
| Häst(era) | Susanna Risberg | E Minor | 0 | 9A | 113 BPM | ||
| Was ist Kunst | Uli Rennert, Jörg-Martin Willnauer, Maria Beatrice Cantelli, Radu Petrean, Sophie Rennert | E♭ Major | 1 | 5B | 70 BPM | ||
| yawn of gods | いろんなためいき | E Minor | 0 | 9A | 146 BPM | ||
| Sculpture No. 2, I - IV | Uli Rennert, Sophie Rennert | A Major | 0 | 11B | 73 BPM | ||
| Nothing Like Before | Jazz & Co. | C Minor | 0 | 5A | 63 BPM | ||
| Positive | Erich Bachträgl, Uli Rennert, Jeff Wohlgenannt, Mike Gottwald | C Major | 7 | 8B | 121 BPM | ||
| Bruno i Bianka PДRT III (feat. Leszek Możdżer) | Daniel Bloom, Leszek Możdżer | C Minor | 1 | 5A | 80 BPM | ||
| Ti Amo Topa (I Loves You Mole) | Otro | F♯ Major | 3 | 2B | 120 BPM |