"In nomine: Rachell’s Weepinge" by Christopher Tye, The Spirit of Gambo, Freek Borstlap had its release date on December 1, 2014. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. In nomine: Rachell’s Weepinge's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Tye: Consort Music - In nomine". In this album, this song's track order is #2. In nomine: Rachell’s Weepinge is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In nomine: Rachell’s Weepinge by Christopher Tye, The Spirit of Gambo, Freek Borstlap having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La zanetta padovana | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 0 | 7A | 71 BPM | ||
| Ballo francese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 0 | 8B | 87 BPM | ||
| For Several Friends, Suite in G Major-Minor: I. Fantazie | Matthew Locke, Ensemble Masques | A♭ Minor | 1 | 1A | 93 BPM | ||
| Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
| Sonate No. 1: I. Prelude | August Kuhnel, Freek Borstlap, Ivanka Neeleman, Gesina Liedmeier, Richard Egarr, Jan Van Outryve, Karel Smagge | D Major | 1 | 10B | 128 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 33, O cohors milicie | Hildegard von Bingen, Sabine Lutzenberger, Baptiste Romain | D Major | 0 | 10B | 77 BPM | ||
| Air II in G Minor | John Jenkins, The Spirit of Gambo | F♯ Minor | 1 | 11A | 104 BPM | ||
| Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
| Vous qui faites votre modelle | Jacques Hotteterre, Kate Clark, Nigel North, Freek Borstlap | C Minor | 0 | 5A | 111 BPM | ||
| Dame, ne regardes pas (Medieval Fiddles) | Guillaume de Machaut, Emmanuel Bonnardot, Radall Cook | E♭ Minor | 0 | 2A | 82 BPM | ||
| Symphony No. 4 in A Major, Op. 90, "Italian": Toccata del Signor Pandolpho | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 84 BPM | ||
| Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM | ||
| An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 120 BPM | ||
| Instrumental piece III | Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
| Ja nus hons pris ne dira sa raison (Under the Greenwood Tree): Ja nuls homs pris | Richard I of England, Estampie, Graham Derrick | F Major | 0 | 7B | 95 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Canzona prima a 2 bassi | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Major | 2 | 10B | 75 BPM | ||
| Sonate No. 5: I. Serenata. Sonatina | August Kuhnel, Freek Borstlap, Ivanka Neeleman, Gesina Liedmeier, Richard Egarr, Jan Van Outryve, Karel Smagge | D Major | 1 | 10B | 128 BPM | ||
| Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
| Sonata No. 7: III. Aria | August Kuhnel, Freek Borstlap, Ivanka Neeleman, Gesina Liedmeier, Richard Egarr, Jan Van Outryve, Karel Smagge | D Major | 1 | 10B | 128 BPM | ||
| La Mallassis - Sarabande | Hopkinson Smith, Charles Mouton | F Minor | 0 | 4A | 76 BPM | ||
| Balletto Quarto: Adaggio | Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 130 BPM | ||
| Ruggiero (Quinta Pars IX) | Diego Ortiz, Jordi Savall | F Major | 1 | 7B | 113 BPM | ||
| Pavan Lesquercarde | Pierre Phalese, Folger Consort | F Major | 0 | 7B | 109 BPM | ||
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM |