On August 26, 2020, the song "FULLPHONY IV : Faces" was released by 蓮沼執太フルフィル. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. FULLPHONY IV : Faces's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in フルフォニー|FULLPHONY, so we believe that "FULLPHONY IV : Faces" is a single. In terms of popularity, FULLPHONY IV : Faces is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of FULLPHONY IV : Faces by 蓮沼執太フルフィル is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 港に船 | Haruko Oishi | C Major | 2 | 8B | 138 BPM | ||
| ether | 満ちる部屋 | Laura day romance | A Major | 8 | 11B | 102 BPM | ||
| Hello Everything | 蓮沼執太フィル | D♭ Major | 6 | 3B | 98 BPM | ||
| ekot | Sketch Show | C Major | 5 | 8B | 110 BPM | ||
| あなたはあなた | Satoko Shibata | A♭ Major | 9 | 4B | 126 BPM | ||
| Everything is gone | Tavito Nanao | G Major | 1 | 9B | 193 BPM | ||
| 感丘 | Soushi Sakiyama, Hakushi Hasegawa | B Minor | 8 | 10A | 150 BPM | ||
| ラプソディア | Seiichi Yamamoto | C Major | 6 | 8B | 88 BPM | ||
| 大作戦 | Satoko Shibata | D Minor | 7 | 7A | 79 BPM | ||
| bakeru | 水いらず | B Minor | 9 | 10A | 148 BPM | ||
| 海底の修羅 | Kyohei Sakaguchi | E Major | 2 | 12B | 144 BPM | ||
| ささやき女将 | 井手健介と母船 | A Major | 6 | 11B | 160 BPM | ||
| 鳳と凰 | ROTH BART BARON | D Major | 6 | 10B | 87 BPM | ||
| 傘の中の手 | 君島大空 | F♯ Major | 8 | 2B | 183 BPM | ||
| 柔らかな丘(original version) | Kicell | C Major | 5 | 8B | 88 BPM | ||
| 庭と雨 | 家主 | A Major | 9 | 11B | 140 BPM | ||
| 鉄線 | Predawn | C Major | 5 | 8B | 95 BPM | ||
| 天空橋に | KUKIKODAN | G Major | 2 | 9B | 74 BPM | ||
| 踊る理由 | 片想い | B♭ Major | 6 | 6B | 118 BPM | ||
| Speak Low | VIDEOTAPEMUSIC | F♯ Minor | 7 | 11A | 95 BPM | ||
| 続きを | salyu × salyu | C Minor | 7 | 5A | 122 BPM | ||
| たのしそう かなしそう | Ikuko Harada | B Major | 6 | 1B | 143 BPM | ||
| 小さなことをひとつ | odol | F Major | 4 | 7B | 89 BPM | ||
| タワー | Kicell, Emerson Kitamura, 伊藤葉子 | F Major | 3 | 7B | 145 BPM | ||
| IMPERIAL SMOKE TOWN | 青葉市子と妖精たち | B♭ Minor | 2 | 3A | 108 BPM |