"Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied" by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "R. Strauss: Zarathustra; Till; Don Juan; Heldenleben; Tod & Verklärung". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 58 BPM | ||
| Apollon musagète, K48: X. Apotheosis | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
| Symphonie fantastique, H. 48: V. Songe d'une nuit du Sabbat | Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 121 BPM | ||
| Mussorgsky / Orch. Ravel: Pictures at an Exhibition: XI. The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 177 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
| Notre Dame - Intermezzo | Herbert von Karajan | G Major | 2 | 9B | 118 BPM | ||
| Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt – Trio. Nicht zu schnell, keinesfalls schleppend (2nd version, 1878–80) | Anton Bruckner, Berliner Philharmoniker, Bernard Haitink | A Minor | 8 | 8A | 118 BPM | ||
| La mer, L. 109: II. Play Of The Waves | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 1 | 1A | 116 BPM | ||
| Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": III. Con moto moderato | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio – Allegro molto | Antonín Dvořák, Berliner Philharmoniker, Herbert von Karajan | E Minor | 2 | 9A | 122 BPM | ||
| Don Quixote, Op. 35: XI. Var. 8, Ill-Starred Voyage on the Enchanted Boat. Gemächlich | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | F Minor | 5 | 4A | 164 BPM | ||
| The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | F Minor | 5 | 4A | 164 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt (the Hero's Field of Battle) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | D♭ Major | 8 | 3B | 85 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
| Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 105 BPM | ||
| Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | Antonín Dvořák, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 84 BPM | ||
| Das Rheingold, Scene 4: Rheingold! Rheingold! Reines Gold! | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 110 BPM | ||
| Symphony No. 9: IVc. Molto adagio subito - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 131 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a - Recorded 1964 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | F Minor | 5 | 4A | 164 BPM |