On March 5, 2004, the song "Mahima Ke Hayi Bhandar" was released by MANOJ TIWARI, Rekha Rao. This song is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in MANOJ TIWARI, Rekha Rao's "Maai Ke Diwana" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Mahima Ke Hayi Bhandar is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mahima Ke Hayi Bhandar by MANOJ TIWARI, Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mehri Aayi Rob Chalayi | MANOJ TIWARI, Priya Bhattacharya, Shweta Sharma, Khushboo Jain | G Major | 8 | 9B | 136 BPM | ||
| Mahaul Badle Wala Ba | Golu Gold, Prabha Raj | F Minor | 10 | 4A | 120 BPM | ||
| Koyal Bin | Sharda Sinha | D♭ Major | 5 | 3B | 145 BPM | ||
| Hamar Manak Gaon Mein | Udit Narayan | B♭ Major | 6 | 6B | 147 BPM | ||
| Fulauna Faat Jaee Tor | Radhe Shyam Rasiya | F♯ Major | 7 | 2B | 148 BPM | ||
| Laundiya London Se Layenge | Ritesh Pandey | B Minor | 10 | 10A | 75 BPM | ||
| Balamuwa Ke Ballam | Samar Singh, Neha Raj | D♭ Major | 9 | 3B | 130 BPM | ||
| Jawaniya Mein Ghoon Lag Jayi - From "Bhagi" | Khesari Lal Yadav, Priyanka Singh, Madhukar Anand | A♭ Major | 10 | 4B | 123 BPM | ||
| Kahan Bitawal Na | Raju Bedradi | C Minor | 10 | 5A | 145 BPM | ||
| Samiyana Ke Chhed Chhed | Arvind Akela Kallu Ji | F♯ Minor | 9 | 11A | 112 BPM | ||
| Patar Patar Piywa | Pravesh Lal Yadav, Shilpi Raj | F♯ Major | 10 | 2B | 150 BPM | ||
| Janta Darbar | Tuntun Yadav, Shilpi Raj | A Minor | 9 | 8A | 123 BPM | ||
| Jiya Jiya Ho Bihar Ke Lala | Mohan Rathod | D Major | 7 | 10B | 100 BPM | ||
| Sakhi Re Bar Paa Gayini | Indu Sonali, Khesari Lal Yadav, Aalok Kumar | B♭ Minor | 9 | 3A | 120 BPM | ||
| Saiyan Ji Dilwa Mangelein | Kalpana Patowary | A♭ Minor | 7 | 1A | 90 BPM | ||
| Sonali Sonali | SET Sambalpur | F Major | 6 | 7B | 138 BPM | ||
| Saiyan Mare Satasat | Radhe Shyam Rasiya, Sarmista | G Minor | 7 | 6A | 156 BPM | ||
| Hind Ke Sitara | MANOJ TIWARI, Gayatri Thakur Vyas, Anurag Saikia | F♯ Minor | 8 | 11A | 125 BPM | ||
| Jaawaniya Bhail Udanbaaz - From "Lallu Ki Laila" | Mohan Rathore, Priyanka Singh, Madhukar Anand | A♭ Major | 10 | 4B | 117 BPM | ||
| Ye Prayagraj Hai | Alok Kumar | G Minor | 10 | 6A | 132 BPM | ||
| Gori Tohar Kamar Lachkauwa - From "Nirahua Chalal London" | Dinesh Lal Yadav, Indu Sonali | A♭ Major | 10 | 4B | 140 BPM | ||
| Ankhiya Bhujala Kajrota H | MANOJ TIWARI | C Minor | 6 | 5A | 157 BPM | ||
| Patali Kamariya Hay Hay | Vinod Bedardi, Khushboo Uttam | F Minor | 10 | 4A | 140 BPM | ||
| Roti Gol Gol | Shilpi Raj | F♯ Minor | 10 | 11A | 136 BPM | ||
| Hindustan Ke Tirnga Pakistan Me Fahri | Sunil Sangam | F♯ Minor | 10 | 11A | 75 BPM |