George Masso, Roy Williams, Brian Lemon Quartet's ' "Stompin' at the Savoy" was released on its scheduled release date, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Shakin' the Blues Away". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Stompin' at the Savoy is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Stompin' at the Savoy by George Masso, Roy Williams, Brian Lemon Quartet having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Derrumbe lóbrego | Cromatica nocturna | A Minor | 2 | 8A | 110 BPM | ||
| Linger at the Crosswalk | The Midnight Groove | A Minor | 3 | 8A | 150 BPM | ||
| Sunday Morning Blues - Live | Lila House, Thomas Wallisch | C Major | 1 | 8B | 113 BPM | ||
| Venetian Canal | Still Geometry Jazz | E♭ Major | 3 | 5B | 75 BPM | ||
| Bookbinding Schoolhouse | Dada Jazz Cafè | G Minor | 4 | 6A | 126 BPM | ||
| Piazza sul Ponte | walkin around jazz | F Major | 2 | 7B | 81 BPM | ||
| Edges of Nature, Pt. XIII | Collebot | F Minor | 3 | 4A | 125 BPM | ||
| Piazza Rain | Still Geometry Jazz | E Minor | 4 | 9A | 178 BPM | ||
| Cold City Breathing | renny 3l fantasma | B♭ Minor | 6 | 3A | 105 BPM | ||
| Warm Jazz for Cold Streets | Jazz & Co. | A Minor | 2 | 8A | 110 BPM | ||
| Lofi Breeze | Lucian Hart | G Major | 0 | 9B | 82 BPM | ||
| Smooth Starlight | Sirens of Swing | G Major | 5 | 9B | 120 BPM | ||
| Magic | Leydon | A Minor | 2 | 8A | 110 BPM | ||
| Tiempo lento | Kaelux | A Minor | 2 | 8A | 110 BPM | ||
| Hushed Jazz Tales | Jazz Cafè | B♭ Minor | 5 | 3A | 157 BPM | ||
| Glory, Glory to Old Georgia (Battle Hymn of the Republic) | The Legendary Lawson-Haggart Jazz Band, George Masso, Kenny Davern, John Bunch, Bucky Pizzarelli, Jake Hanna | A♭ Major | 3 | 4B | 103 BPM | ||
| Tripod Railcar | Misty Waves | C Minor | 3 | 5A | 110 BPM | ||
| Someday Sweetheart | Bob Barnard | C Major | 2 | 8B | 120 BPM | ||
| Moonlit Breeze | Jazz Sax | G Major | 5 | 9B | 173 BPM | ||
| Sombras suaves | Zypheron | A Minor | 2 | 8A | 110 BPM | ||
| Zesty Flavor | BOKABOKA@Music | C Major | 3 | 8B | 135 BPM | ||
| Ghosts in the Piano Bar | The Half Light Ensemble | G Minor | 3 | 6A | 129 BPM | ||
| Porcelain Garden | Fireside Jazz | A♭ Major | 4 | 4B | 100 BPM | ||
| The Tennessee Waltz | The Legendary Lawson-Haggart Jazz Band, George Masso, Kenny Davern, John Bunch, Bucky Pizzarelli, Jake Hanna | A Minor | 3 | 8A | 175 BPM | ||
| Soon - Live | George Masso, Kenny Davern, Randy Sandke, Danny Moss, Eddie Higgins, Ken Skeat, Jake Hanna | F Minor | 6 | 4A | 97 BPM |