"Farewell to a Friend" by Hans Zimmer had its release date on March 8, 2010. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Farewell to a Friend's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Zimmer's "Henri 4" album is number 20 out of 25. On top of that, Germany appears to be the country where this track was created. Farewell to a Friend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Farewell to a Friend by Hans Zimmer to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Myotis | James Newton Howard, Hans Zimmer | G Minor | 1 | 6A | 79 BPM | ||
| The Born King | Daniel Pemberton | D Minor | 2 | 7A | 110 BPM | ||
| Earth | Hans Zimmer, Gavin Greenaway | E Minor | 1 | 9A | 127 BPM | ||
| Interstellar Suite: Part 1, Day One | Hans Zimmer, Alexander Gibson, Ryan Rubin, Eliane Correa, Pedro Eustache, Gan-ya Ben-gur Akselrod, Aleksandra Suklar, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM | ||
| Reunion and Final Rest | Trevor Morris | E Minor | 2 | 9A | 98 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Wars of Faith | Audiomachine | C Minor | 4 | 5A | 91 BPM | ||
| Playing Townes | Carlos Rafael Rivera | F Major | 0 | 7B | 68 BPM | ||
| Promentory | Trevor Jones | G Major | 2 | 9B | 86 BPM | ||
| Moonlight Serenade | Klaus Badelt | A Minor | 3 | 8A | 131 BPM | ||
| The Last of the Starks | Ramin Djawadi | C Minor | 3 | 5A | 120 BPM | ||
| Wayward Sisters | Abel Korzeniowski | F♯ Minor | 4 | 11A | 98 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| Roll Tide - From "Crimson Tide" Soundtrack | John Bacchus Dykes, Hans Zimmer | D Minor | 2 | 7A | 82 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Why Do We Fall? | Hans Zimmer | D Minor | 4 | 7A | 103 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Two Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Main Title | Ramin Djawadi | F Minor | 6 | 4A | 170 BPM | ||
| Earth to Asgard | Patrick Doyle | D Minor | 6 | 7A | 95 BPM | ||
| The Prince of Egypt Suite: Part 1 | Hans Zimmer, Gan-ya Ben-gur Akselrod, Rusanda Panfili, Pedro Eustache, Odessa Orchestra & Friends, Gavin Greenaway | E Minor | 1 | 9A | 80 BPM | ||
| A Little Chaos | Peter Gregson | E♭ Major | 2 | 5B | 138 BPM | ||
| The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Into the Fray | Marc Streitenfeld | C Major | 0 | 8B | 70 BPM | ||
| Journey To Dignitas | Craig Armstrong | C Minor | 1 | 5A | 64 BPM |