Intelligence, Act Two: Scene 2, Surviving is all I've ever known
Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Caitlin Lynch
Jake Heggie: Intelligence
4:00 August 29, 2025
BPM
123
Key
D♭ Major
Camelot
3B

Embed

Share Link

Intelligence, Act Two: Scene 2, Surviving is all I've ever known by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Caitlin Lynch Song Details

"Intelligence, Act Two: Scene 2, Surviving is all I've ever known" by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Caitlin Lynch had its release date on August 29, 2025. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 2 out of 25. Based on our statistics, Intelligence, Act Two: Scene 2, Surviving is all I've ever known's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Intelligence, Act Two: Scene 2, Surviving is all I've ever known by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Caitlin Lynch to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-17.208 dB
Acousticness
95%
Danceability
41%
Energy
23%
Instrumentalness
0%
Liveness
67%
Loudness
71%
Speechiness
9%
Valence
14%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schwanenlied by Fanny Mendelssohn, Sivan Goldman, Shira ShakedSchwanenliedFanny Mendelssohn, Sivan Goldman, Shira ShakedE Major112B93 BPM
Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) by Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary BertiniAriane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane)Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary BertiniF♯ Major42B91 BPM
Desdemona by Hans Sommer, Constance Heller, Gerold HuberDesdemonaHans Sommer, Constance Heller, Gerold HuberB♭ Minor13A130 BPM
Love blows as the wind blows: III Fill a glass with golden wine by George Butterworth, Jonathan Lemalu, Belcea QuartetLove blows as the wind blows: III Fill a glass with golden wineGeorge Butterworth, Jonathan Lemalu, Belcea QuartetF Major07B87 BPM
Five Elizabethan Songs: IV. Sleep by Ivor Gurney, Jodie Devos, Nicolas KrügerFive Elizabethan Songs: IV. SleepIvor Gurney, Jodie Devos, Nicolas KrügerB♭ Minor13A95 BPM
La Sonnambula / Act 1: Vi ravviso, o luoghi ameni by Vincenzo Bellini, Nicolai Ghiaurov, Isobel Buchanan, Luciano Pavarotti, Della Jones, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeLa Sonnambula / Act 1: Vi ravviso, o luoghi ameniVincenzo Bellini, Nicolai Ghiaurov, Isobel Buchanan, Luciano Pavarotti, Della Jones, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeA♭ Major34B138 BPM
Un ballo in maschera, Act I: Re dell'abisso – Su, fatemi largo by Giuseppe Verdi, Regina Resnik, Luciano Pavarotti, José van Dam, Mario Alessandrini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno BartolettiUn ballo in maschera, Act I: Re dell'abisso – Su, fatemi largoGiuseppe Verdi, Regina Resnik, Luciano Pavarotti, José van Dam, Mario Alessandrini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno BartolettiD Major010B98 BPM
Puccini: Turandot, Act 1: Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro)Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa CeciliaG Major19B150 BPM
Heggie: Dead Man Walking, Act 1: Heggie: Dead Man Walking, Act 1: "I don't like that man" (Sister Helen, Warden) [Live]Jake Heggie, Joyce DiDonato, Patrick Summers, Houston Grand Opera Orchestra, Hector Vasquez, Houston Grand Opera & ChorusA Major311B96 BPM
Bellini: I puritani: Bellini: I puritani: "Son vergin vezzosa" (Elvira, Enrichetta, Arturo, Giorgio, Coro)Vincenzo Bellini, Dresdner Philharmonie, Riccardo FrizzaD Major510B136 BPM
Sauguet: Berceuse créole by Henri Sauguet, Régine Crespin, John WustmanSauguet: Berceuse créoleHenri Sauguet, Régine Crespin, John WustmanE♭ Major05B65 BPM
L'elisir d'amore / Act II: L'elisir d'amore / Act II: "Saria possibile?"Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James LevineB Major01B119 BPM
Tosca, Act I: Tosca, Act I: "Mario!" - "Son qui!"Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di BolognaD♭ Major13B81 BPM
Three Decembers: Act I: Song - Maddy: Three Decembers: Act I: Song - Maddy: "About to Break"Jake Heggie, Gene Scheer, Jake Hegge; Gene Scheer, Houston Grand Opera, Patrick SummersE♭ Major15B84 BPM
Humperdinck : Hänsel und Gretel : Act 3 Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel]Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony OrchestraA♭ Major04B116 BPM
Die Nacht, Op.10, No.3 by Richard Strauss, Barbara Bonney, Malcolm MartineauDie Nacht, Op.10, No.3Richard Strauss, Barbara Bonney, Malcolm MartineauD Major010B174 BPM
Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia by Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre LabinskyRimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of GeorgiaNikolai Rimsky-Korsakov, Boris Christoff, Alexandre LabinskyD Minor17A82 BPM
Les Pêcheurs de perles, WD 13, Act I: Ô dieu Brahma! by Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Les Cris De ParisLes Pêcheurs de perles, WD 13, Act I: Ô dieu Brahma!Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Les Cris De ParisG Major19B176 BPM
Lorelei, Op. 7 by Hans Sommer, Constance Heller, Gerold HuberLorelei, Op. 7Hans Sommer, Constance Heller, Gerold HuberA♭ Minor21A73 BPM
Aida, Act I: Possente, possente Fthà by Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano GandolfiAida, Act I: Possente, possente FthàGiuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano GandolfiA♭ Major04B81 BPM
Wagner: Der fliegende Holländer, WWV 63, Act 2: Wagner: Der fliegende Holländer, WWV 63, Act 2: "Auf hohem Felsen lag ich träumend" (Erik, Senta)Richard Wagner, Otto Klemperer, Anja Silja, Ernst Kozub, New Philharmonia OrchestraB♭ Major26B73 BPM
H.M.S. Pinafore / Act 1: Sorry her lot who loves too well by Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore GodfreyH.M.S. Pinafore / Act 1: Sorry her lot who loves too wellArthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore GodfreyF Major17B91 BPM
Puccini: Turandot, Act 1: Puccini: Turandot, Act 1: "Perché tarda la luna?" (Coro)Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa CeciliaF♯ Minor011A78 BPM
La Giaconda, Act 2, The Rosary: Sailors' Song La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys]Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai StecklerF Major27B99 BPM
Petite messe solennelle: XVII. O salutaris by Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus CreedPetite messe solennelle: XVII. O salutarisGioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus CreedG Major09B103 BPM
ISRC
QT4NB2500116
Label
L-M Records/RCA Records