"Were We There at All?" by How Great Were the Robins had its release date on June 21, 2021. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 3 in Dim of the Pines by How Great Were the Robins. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Were We There at All? is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Were We There at All? by How Great Were the Robins is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From the Dust | Mountain Boy | C Major | 5 | 8B | 128 BPM | ||
| The Purl | Mountains of the Moon | E♭ Minor | 3 | 2A | 148 BPM | ||
| The Rise | Secret Nation | G Major | 3 | 9B | 140 BPM | ||
| Cold Water Swimming | Quiet Houses | B Minor | 5 | 10A | 150 BPM | ||
| Being There | How Great Were the Robins | C Major | 3 | 8B | 144 BPM | ||
| Can't Go Back | Hills x Hills | F♯ Minor | 6 | 11A | 89 BPM | ||
| Stay Here Awhile | Twiceyoung | B♭ Major | 4 | 6B | 83 BPM | ||
| Black Cloud | Playwrite | B♭ Minor | 5 | 3A | 78 BPM | ||
| Oh Brother | Cyrus Reynolds, Gregg Lehrman, Novo Amor | F♯ Minor | 5 | 11A | 120 BPM | ||
| Stay | The People's Thieves | F♯ Major | 5 | 2B | 125 BPM | ||
| Want You To Want It | Aquilo | A♭ Major | 3 | 4B | 151 BPM | ||
| Auburn | Jon Rafa, FWD The Man | A Major | 7 | 11B | 124 BPM | ||
| Maintain | Adamuezrge | G Minor | 1 | 6A | 70 BPM | ||
| Lullaby for the Weird Ones | Chiara Dubey | A Minor | 1 | 8A | 139 BPM | ||
| Like Roots of Wheat Growing | How Great Were the Robins | A♭ Major | 1 | 4B | 180 BPM | ||
| Stay Right Here Until Morning | Twiceyoung, The Light The Heat | F Major | 3 | 7B | 130 BPM | ||
| Solace | Ollie Dixon | G Major | 4 | 9B | 105 BPM | ||
| Visiting Hours | Jon Bryant | A Major | 4 | 11B | 72 BPM | ||
| Burden | Subtact, Jay Rodger | G Major | 3 | 9B | 90 BPM | ||
| All That You Are (From "Lost Ember") | Solid Audioworks | G Major | 2 | 9B | 109 BPM | ||
| Your Light | Will Morton, Julie Wemyss | A Minor | 2 | 8A | 100 BPM | ||
| Lonely Writer | Muco | B Minor | 8 | 10A | 85 BPM | ||
| Bulletproof | Boundary Run | F Major | 2 | 7B | 84 BPM | ||
| Hand and String | Thomas LaVine | F♯ Minor | 7 | 11A | 75 BPM | ||
| Prodigal | Saint Mesa | D Major | 4 | 10B | 160 BPM |