Barbara Lea's 'Thursday's Child' had a release date set for January 1, 1991. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Thursday's Child's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Barbara Lea by Barbara Lea. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Thursday's Child is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Thursday's Child by Barbara Lea is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| September In The Rain | George Shearing | F♯ Minor | 1 | 11A | 176 BPM | ||
| Lullaby In Rhythm | Mark Murphy | F Minor | 2 | 4A | 135 BPM | ||
| Love Me | Barbara Lea, Billy Taylor and His Trio | A♭ Major | 0 | 4B | 88 BPM | ||
| Scotch & Soda | Lou Rawls | G Minor | 4 | 6A | 109 BPM | ||
| Moonglow | June Christy, Stan Kenton & His Orchestra | E♭ Major | 2 | 5B | 110 BPM | ||
| On The Sunny Side Of The Street | Alexis Cole, Bucky Pizzarelli | A♭ Major | 3 | 4B | 129 BPM | ||
| Am I In Love? | Barbara Lea | A♭ Major | 2 | 4B | 170 BPM | ||
| Moon-Faced Starry-Eyed | Barbara Lea, Charlie Fardella, Steve Pistorius, Bob Havens, Tom Fischer, Tom Saunders, Hal Smith | B♭ Minor | 3 | 3A | 131 BPM | ||
| This Can't Be Love | Abbey Lincoln | C Minor | 1 | 5A | 134 BPM | ||
| He's A Real Gone Guy | Nellie Lutcher | D♭ Major | 3 | 3B | 120 BPM | ||
| I Remember (The Corn Fields Of Home) | Ethel Ennis | F Major | 1 | 7B | 136 BPM | ||
| Who's Sorry Now? - Live | Barbara Lea, The Ed Polcer All-Stars, Bob Havens, Johnny Varro, Marty Grosz, Bob Haggart, Allan Vaché, Joe Ascione | F Minor | 4 | 4A | 143 BPM | ||
| I Hear Music | Dakota Staton | F Minor | 5 | 4A | 96 BPM | ||
| It's Wonderfull | Dick Sudhalter, Roger Kellaway, Barbara Lea, Ed Saindon, Frank Vignola | C Major | 1 | 8B | 66 BPM | ||
| Hurry On Down | Nellie Lutcher | D♭ Major | 3 | 3B | 120 BPM | ||
| I'm Old-Fashioned - Remastered | Joanie Sommers | A Minor | 2 | 8A | 111 BPM | ||
| If Felt So Good To Be So Bad | Alex Pangman, Bucky Pizzarelli | D Major | 7 | 10B | 197 BPM | ||
| You Are There | Roberta Gambarini, Hank Jones | C Major | 1 | 8B | 73 BPM | ||
| Mountain Greenery | Kat Edmonson, Vince Giordano And The Nighthawks | E Minor | 4 | 9A | 168 BPM | ||
| Smooth Operator | Dorothy Dandridge | B♭ Minor | 4 | 3A | 140 BPM | ||
| Social Call | Betty Carter | B♭ Major | 3 | 6B | 116 BPM | ||
| I've Never Been In Love Before | Lorez Alexandria | A♭ Major | 2 | 4B | 140 BPM | ||
| To Be or Not to Be Flat | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| Knit One Purl Two | Glenn Miller | D Major | 1 | 10B | 70 BPM |