Over It's 'Yeah' had a release date set for December 6, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "PROM KINGS". In this album, this song's track order is #1. Based on our statistics, Yeah's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Yeah by Over It having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Partner In Crime | Over It | A♭ Minor | 10 | 1A | 167 BPM | ||
| Greetings...Goodbye | Glasseater | A♭ Major | 10 | 4B | 102 BPM | ||
| Breathless | Acceptance | F♯ Minor | 9 | 11A | 144 BPM | ||
| Bottle of Red, Bottle of Spite | Houston Calls | B Major | 8 | 1B | 97 BPM | ||
| Saddest Girl Story | The Starting Line | C Minor | 8 | 5A | 106 BPM | ||
| I Know You're Waiting | Autopilot Off | C Major | 9 | 8B | 122 BPM | ||
| Everyone Dies Alone | 7-10 Split | D♭ Minor | 9 | 12A | 93 BPM | ||
| Falling Away | Amber Pacific | D Major | 9 | 10B | 109 BPM | ||
| Take Care | A Change of Pace | C Major | 9 | 8B | 148 BPM | ||
| The Process | My American Heart | E Minor | 9 | 9A | 132 BPM | ||
| Can't Hold Back | Amber Pacific | F♯ Major | 10 | 2B | 106 BPM | ||
| 3000 Miles | Valencia | C Major | 9 | 8B | 186 BPM | ||
| The Pharmacist | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| Prototype | City Sleeps | A♭ Major | 9 | 4B | 164 BPM | ||
| Lawyers | The Audition | D♭ Major | 8 | 3B | 90 BPM | ||
| Heart Transplant | Punchline | B Major | 9 | 1B | 102 BPM | ||
| Pirouette | A Loss For Words | A Minor | 9 | 8A | 188 BPM | ||
| Majestic Hall Reverb | Vox Thundr Gryphon | B Major | 7 | 1B | 111 BPM | ||
| Apologies | Dropping Daylight | D Major | 8 | 10B | 121 BPM | ||
| Given The Chance | The Starting Line | B Major | 8 | 1B | 97 BPM | ||
| Weightless | Over It | G Major | 4 | 9B | 138 BPM | ||
| Bob and Bonnie | Houston Calls | E Major | 9 | 12B | 127 BPM | ||
| Into the Darkness | No Motiv | A♭ Major | 7 | 4B | 97 BPM | ||
| Riot | Sugarcult | E♭ Minor | 10 | 2A | 157 BPM | ||
| Autography | The Starting Line | C Major | 9 | 8B | 134 BPM |