"Welcome To The Ward" by Everyone Dies In Utah had its release date on July 31, 2012. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Polarities". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Welcome To The Ward's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Welcome To The Ward by Everyone Dies In Utah having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Subverse | This Or The Apocalypse | D♭ Minor | 10 | 12A | 140 BPM | ||
| Let Me In | Forget Tomorrow | A♭ Major | 10 | 4B | 112 BPM | ||
| The Haunting | InVisions | D Major | 10 | 10B | 140 BPM | ||
| I, the Creator | Oceans Ate Alaska | F♯ Major | 10 | 2B | 110 BPM | ||
| Insomniac | Capture | B♭ Major | 10 | 6B | 148 BPM | ||
| Factor X | Everyone Dies In Utah | B♭ Minor | 9 | 3A | 140 BPM | ||
| Propheteering | Adestria | B Minor | 10 | 10A | 75 BPM | ||
| They Said A Storm Was Coming | Jamie's Elsewhere | F♯ Minor | 10 | 11A | 183 BPM | ||
| The Wolfpack | Hopes Die Last | G Major | 10 | 9B | 138 BPM | ||
| Underneath Every Smile | I See Stars | D Minor | 10 | 7A | 170 BPM | ||
| Concrete Eyes And Ivory Smiles | Adestria | D Major | 10 | 10B | 87 BPM | ||
| Way Back When | Everyone Dies In Utah | B♭ Minor | 10 | 3A | 160 BPM | ||
| Jaws of Life | Owls In the Attic | E♭ Minor | 10 | 2A | 148 BPM | ||
| People Are Crazy | Confide | F Minor | 10 | 4A | 91 BPM | ||
| Smoke and Mirrors | The Color Morale | A♭ Major | 9 | 4B | 145 BPM | ||
| All for You | The Paramedic | C Major | 9 | 8B | 120 BPM | ||
| I'm Gonna Bury You Underground Eli. | We Are Defiance | A♭ Major | 10 | 4B | 75 BPM | ||
| Hate the Ones You Love | This Or The Apocalypse | F♯ Minor | 10 | 11A | 125 BPM | ||
| Dead Ties | Myka, Relocate | F♯ Minor | 10 | 11A | 120 BPM | ||
| For What It's Worth | The Air I Breathe | F Minor | 10 | 4A | 120 BPM | ||
| Moths and Rust | Forevermore | C Major | 10 | 8B | 122 BPM | ||
| Dying Light | Everyone Dies In Utah | F Minor | 9 | 4A | 135 BPM | ||
| Discretion | For the Likes of You | F♯ Major | 9 | 2B | 83 BPM | ||
| Monster Blood | Vesta Collide | F♯ Major | 10 | 2B | 129 BPM | ||
| Here's to Tonight | Whether, I | D♭ Minor | 9 | 12A | 175 BPM |