On April 5, 2022, the song "Kothe Uper Mainavanti Bahu Khadi Sab Angan Me" was released by Kosindra, Rishipal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Kothe Uper Mainavanti Bahu Khadi Sab Angan Me and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Kothe Uper Mainavanti Bahu Khadi Sab Angan Me is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kothe Uper Mainavanti Bahu Khadi Sab Angan Me by Kosindra, Rishipal to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lahriyo | Kohinoor Langa | B♭ Major | 10 | 6B | 110 BPM | ||
| Taar Bijli | Sharda Sinha | D♭ Minor | 7 | 12A | 150 BPM | ||
| Kede Katari | Balvi Studio | Rajstudio | D Major | 5 | 10B | 151 BPM | ||
| Phir Raat Kati | Sukhwinder Singh, Sunidhi Chauhan | G Major | 6 | 9B | 130 BPM | ||
| Mast Qalandar | Lakhwinder Wadali | F Minor | 8 | 4A | 128 BPM | ||
| Su Pucho Cho Mujane Ke - Live | NARAYANSWAMI | D♭ Major | 8 | 3B | 152 BPM | ||
| Mili Hai Mohe Tagdi Nari | Brijesh Shastri | B♭ Minor | 5 | 3A | 112 BPM | ||
| Gori Jab Se gai Rai Lokgeet | Soniya Studio, Mohan Kushwaha Arvindra | G Major | 9 | 9B | 148 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Balam ji Aa Jaita | Khesari Lal Yadav | F Minor | 7 | 4A | 76 BPM | ||
| Jaa Roj Larat Raat Shaam Lokgeet | Soniya Studio, Ramrati kushwaha, mohan kushwaha, Dileep Ahirwar | F♯ Minor | 5 | 11A | 111 BPM | ||
| Noori Noori Aaj Sama Hai | Anis Nawab | F♯ Major | 6 | 2B | 113 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Fire Biyawan Mai | Kosindra, Rishi Pal | F Major | 7 | 7B | 77 BPM | ||
| Madho Hum Aise Tu Aisa | Hita Ambrish | C Major | 7 | 8B | 141 BPM | ||
| Champa Chamelie | Dewindersingh Sewnath | G Major | 8 | 9B | 85 BPM | ||
| Ram Bina Koi Dham Nahi | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 7 | 4B | 89 BPM | ||
| Ram Bhajan | Rama Shankar Vyas | D Minor | 5 | 7A | 169 BPM | ||
| Aaiye Aaiye Ho Balaji Ek Baar | Narender Kaushik | A Major | 10 | 11B | 116 BPM | ||
| Bada Sunder Hai Maa Ka Bhawan | Lakhbir Singh Lakkha | A♭ Major | 7 | 4B | 120 BPM | ||
| Bajra Hum Na khaibe More Raja Bundeli | Malti Singh Parmar, Deshraj Patairiya | F Minor | 6 | 4A | 149 BPM | ||
| Inder Ki To Bat Kiya | Mainpal Baseda, Satpal Dosa | E♭ Minor | 6 | 2A | 85 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Chalo Aaj Khwaja Ka | Mohammed Aziz | F♯ Major | 9 | 2B | 174 BPM | ||
| Choliya Khole | Samar Singh | A Major | 10 | 11B | 142 BPM |