"Part VII" by George Winstone, Ben Monder had its release date on January 20, 2023. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Odysseus". In this album, this song's track order is #7. In terms of popularity, Part VII is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Part VII by George Winstone, Ben Monder having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Framework 3 | Nils Petter Molvær | F Minor | 0 | 4A | 87 BPM | ||
| Adrift | Joshua Espinoza, Kris Monson, Jaron Lamar Davis | G Minor | 5 | 6A | 124 BPM | ||
| Back to the Moon | Jahn Neu | D Minor | 0 | 7A | 136 BPM | ||
| The Void | Mats Eilertsen, Harmen Fraanje, Thomas Strønen | E Minor | 1 | 9A | 85 BPM | ||
| The Three of Us, Floating | Adam O'Farrill | F Minor | 0 | 4A | 116 BPM | ||
| Mesticanza | Paolo Fresu, Omar Sosa | D Minor | 4 | 7A | 183 BPM | ||
| Light on Sanzu River | Eivind Aarset | C Major | 1 | 8B | 72 BPM | ||
| Upper Space | Matthew Halsall | F Major | 6 | 7B | 145 BPM | ||
| I See Myself in Me | Cassie Kinoshi, seed. | A♭ Major | 2 | 4B | 143 BPM | ||
| Stein Flelds | Joe Westerlund, Trever Hagen | F Minor | 0 | 4A | 116 BPM | ||
| Rip | Gerald Clayton, Justin Brown | F♯ Major | 0 | 2B | 131 BPM | ||
| Hank and Charlie | Shai Maestro, Philip Dizack, Jorge Roeder, Ofri Nehemya | D Major | 1 | 10B | 102 BPM | ||
| Ngoni Baby | Bill Laurance, Michael League | A Major | 2 | 11B | 128 BPM | ||
| solo techno beat | PAYARUKPA | B Minor | 2 | 10A | 133 BPM | ||
| Duo | Bill Laurance, Michael League | F Minor | 0 | 4A | 98 BPM | ||
| Sorryrow | Tuva Halse | F Minor | 0 | 4A | 116 BPM | ||
| The Garden We Forgot | Woonai | D Major | 0 | 10B | 71 BPM | ||
| Under water | Alba Careta | F Minor | 0 | 4A | 116 BPM | ||
| Some Circles - Evanescence Version | Maria Schneider, Maria Schneider Orchestra, Maria Schneider Jazz Orchestra | A Minor | 1 | 8A | 136 BPM | ||
| Sabkah | Nils Petter Molvær, The Norwegian Radio Orchestra | B♭ Major | 2 | 6B | 178 BPM | ||
| She Moved Through the Fair | Michael Wollny, Tim Lefebvre, Eric Schaefer | D♭ Major | 4 | 3B | 118 BPM | ||
| Where the Piano Ends | Lars Hustoft, Peter's Piano | F Minor | 0 | 4A | 116 BPM | ||
| Kendime Söylediklerim / What I Tell Myself / Was ich mir selbst sage | H. Umut Asil | C Major | 0 | 8B | 80 BPM | ||
| Paz | Vladimir Torres | B Minor | 6 | 10A | 72 BPM | ||
| Out of Reach | Mattias Uneback | F Major | 2 | 7B | 100 BPM |