"K.I.A." by Halo, Nathan Lanier had its release date on July 10, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nathan Lanier's "Halo 4: Forward Unto Dawn (Original Soundtrack)" album is number 19 out of 21. On top of that, United States appears to be the country where this track was created. K.I.A. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of K.I.A. by Halo, Nathan Lanier to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Live For Me | Steve Jablonsky | A Major | 3 | 11B | 130 BPM | ||
| Sir Francis Drake | Greg Edmonson | G Minor | 2 | 6A | 128 BPM | ||
| The Experiment | Mick Gordon | G Major | 4 | 9B | 82 BPM | ||
| Echoes of the Damned (From “Call of Duty: Black Ops Cold War”) | Kevin Sherwood, James McCawley | F Major | 9 | 7B | 90 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| Main Menu - And Ever We Fight On | Joris de Man | C Minor | 2 | 5A | 90 BPM | ||
| Work Burns and Runaway Grunts | Halo, Stephen Rippy | E Minor | 2 | 9A | 83 BPM | ||
| Clockwork Squares | James McCawley | F♯ Minor | 9 | 11A | 100 BPM | ||
| Reckoning Main Theme | Grant Kirkhope | D♭ Major | 3 | 3B | 60 BPM | ||
| End Credits Part 1 | Joel Nielsen | F Minor | 8 | 4A | 166 BPM | ||
| Neuromods | Mick Gordon | C Minor | 3 | 5A | 130 BPM | ||
| Just Ad Nauseam | Halo, Stephen Rippy | F Minor | 3 | 4A | 131 BPM | ||
| Gears Keep Turning | Steve Jablonsky | C Minor | 5 | 5A | 85 BPM | ||
| Ghosts of Void | Keith Power | D♭ Major | 2 | 3B | 77 BPM | ||
| Standing Alone | Martin O'Donnell | D Major | 7 | 10B | 131 BPM | ||
| Legacy | Neil Davidge | F Minor | 3 | 4A | 75 BPM | ||
| Test of Mettle | Halo, Gareth Coker | F Major | 6 | 7B | 102 BPM | ||
| Epilogue | Sean Murray | D Minor | 2 | 7A | 67 BPM | ||
| Distant Horizons | Jeremy Soule, The Elder Scrolls | G Minor | 1 | 6A | 138 BPM | ||
| Uncharted Theme | Greg Edmonson | C Minor | 2 | 5A | 107 BPM | ||
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| Bt-7274 | Stephen Barton | B Major | 4 | 1B | 85 BPM | ||
| The Last of Clan Adachi | Ilan Eshkeri | G Minor | 7 | 6A | 159 BPM | ||
| Excerpt from The Ecstacy | Martin O'Donnell, Michael Salvatori | G Major | 2 | 9B | 63 BPM | ||
| Metal Gear Saga | Harry Gregson-Williams | B Minor | 7 | 10A | 170 BPM |