"Waldszenen: 4. Verrufene Stelle" by Calefax Reed Quintet had its release date on October 25, 2015. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Waldszenen: 4. Verrufene Stelle's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Romantic Kaleidoscope". In this album, this song's track order is #4. Waldszenen: 4. Verrufene Stelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waldszenen: 4. Verrufene Stelle by Calefax Reed Quintet having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The River - X. The mother her majesty the sea | Tony Overwater Trio, Calefax Reed Quintet | F Minor | 3 | 4A | 84 BPM | ||
| Goldberg Variations Bwv 988, Aria | Calefax Reed Quintet | G Major | 0 | 9B | 68 BPM | ||
| Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
| Wind & Earth | Simon Zöchbauer, Federspiel | B♭ Major | 1 | 6B | 67 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | B♭ Major | 1 | 6B | 67 BPM | ||
| 24 Preludes and Fugues in B Minor, Op. 87 No. 6: Fugue (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | B Minor | 0 | 10A | 65 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation 1 | Johann Baptist Vanhal, Claudio Ferrarini | B♭ Major | 1 | 6B | 67 BPM | ||
| The River - III. The meander | Tony Overwater Trio, Calefax Reed Quintet | C Minor | 1 | 5A | 123 BPM | ||
| Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | C Major | 0 | 8B | 109 BPM | ||
| Excursions Op. 20: III. Allegretto | Samuel Barber, Calefax Reed Quintet | D Minor | 1 | 7A | 97 BPM | ||
| Suite la triomphante: Sarabande | Jean-Philippe Rameau, Calefax Reed Quintet | E Minor | 0 | 9A | 77 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| God Bless The Child | Billie Holiday, Arthur Herzog Jr., Calefax Reed Quintet | E Minor | 1 | 9A | 90 BPM | ||
| Tre Pezzi: 1. Recercar super LA-FA-SOL-LA-RE (Transcription By Bruno Maderna) | Girolamo Frescobaldi, Orchestra della Svizzera Italiana, Dennis Russell Davies | A Minor | 1 | 8A | 140 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 85 BPM | ||
| Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: I. Avec douceur | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 112 BPM | ||
| 24 Preludes and Fugues in D Major, Op. 87 No. 5: Fugue (Arr. by Eduard Wesly) | Dmitri Shostakovich, Calefax Reed Quintet | B Major | 0 | 1B | 69 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: I. Allegro e non presto (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Tomaso Albinoni, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 6 | 12A | 103 BPM | ||
| Io canterei d'amore - Diminutions by Giovanni Bassano | Giovanni Bassano, Cipriano de Rore, ensemble feuervogel | B♭ Minor | 0 | 3A | 70 BPM | ||
| The Moon's Reflection on the Second Spring (Arr. O Boekhoorn for Reed Quintet) | Abing, Calefax Reed Quintet | A Major | 0 | 11B | 78 BPM | ||
| Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | G Major | 1 | 9B | 100 BPM | ||
| Introduzione teatrale in D Major, Op. 4 No. 1 (Arr. J. Althuis for Reed Quintet): III. Presto | Pietro Locatelli, Calefax Reed Quintet | A Major | 2 | 11B | 86 BPM | ||
| Excursions Op. 20: II. In slow blues tempo | Samuel Barber, Calefax Reed Quintet | D Minor | 1 | 7A | 97 BPM |