Richard Elliot's ' "Metropolis" was released on its scheduled release date, October 11, 2011. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Elliot's "In The Zone" album is number 3 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Metropolis's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Metropolis by Richard Elliot to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell Me About It | Richard Elliot | D Minor | 6 | 7A | 91 BPM | ||
| Angel In Paris | Jeff Lorber | C Minor | 4 | 5A | 96 BPM | ||
| Granted Wish | James Lloyd | G Minor | 4 | 6A | 88 BPM | ||
| East Bay | Boney James | A Minor | 6 | 8A | 152 BPM | ||
| So into You | Steve Cole | D♭ Major | 6 | 3B | 99 BPM | ||
| I Am | Kayla Waters | B♭ Minor | 7 | 3A | 100 BPM | ||
| Grover's Groove | Rick Braun | G Minor | 7 | 6A | 90 BPM | ||
| Una Mas | Jessy J | D Minor | 7 | 7A | 90 BPM | ||
| You Got It | 3rd Force | B Minor | 7 | 10A | 100 BPM | ||
| I'll Love You | Joe Sample | A♭ Major | 3 | 4B | 67 BPM | ||
| Never Take Your Love Away | Braxton Brothers | F Minor | 6 | 4A | 90 BPM | ||
| Deep Pockets | Phillip Doc Martin | B Major | 4 | 1B | 80 BPM | ||
| Spellbound | Joe Sample | C Major | 6 | 8B | 102 BPM | ||
| Sin Ti (Without You) | Jessy J | G Major | 4 | 9B | 147 BPM | ||
| The Stranger | Rick Braun/Richard Elliot | B♭ Minor | 7 | 3A | 92 BPM | ||
| Suede | Marion Meadows | A Minor | 6 | 8A | 100 BPM | ||
| Nice And Easy | Walter Beasley | G Minor | 6 | 6A | 84 BPM | ||
| Cup of Joe | Marcus Anderson, Matt Marshak | B Minor | 7 | 10A | 104 BPM | ||
| The Standard (feat. Jay Soto) | Jonathan Fritzén, Jay Soto | C Major | 7 | 8B | 97 BPM | ||
| Endless Possibilities | Nicholas Cole | A♭ Minor | 9 | 1A | 90 BPM | ||
| Morningside | Bob Mamet | A♭ Major | 6 | 4B | 107 BPM | ||
| Like We Used Too | Gerey Johnson, Richard Elliot | A Minor | 7 | 8A | 94 BPM | ||
| Missing in Venice | Rick Braun | G Minor | 7 | 6A | 168 BPM | ||
| Walkin' | Paul Jackson, Jr. | F♯ Major | 7 | 2B | 101 BPM | ||
| Belmont Ave | Jacob Webb | F Major | 7 | 7B | 107 BPM |