On January 30, 2001, the song "Moriya" was released by Tripti Shakya, Kumar Vishu, Shalini Shrivastav. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tripti Shakya, Shalini Shrivastav's "Ghoomar" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Moriya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Moriya by Tripti Shakya, Kumar Vishu, Shalini Shrivastav to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Kanha Ab Toh Murli | Chetna | C Major | 6 | 8B | 76 BPM | ||
| Ganesh Chalisa (Superfast) | Manjeera Ganguly | A♭ Major | 10 | 4B | 140 BPM | ||
| Hamaro Dhan Radha Shree Radha | Tanishq Kothari | E Major | 3 | 12B | 104 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Radhe Radhe Japo Chale Aayenge | Arun Nagpal | B Major | 8 | 1B | 130 BPM | ||
| Ujjain Ke Raja Kabhi Kirpa Najariya - Hindi | Kishan Bhagat | D Major | 8 | 10B | 102 BPM | ||
| Mere Mahakal Aaye Hain | Gajendra Pratap Singh, Ravindra | D Major | 9 | 10B | 96 BPM | ||
| Bankey Bihari Jai Ho | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Teeno Lokan Se | Devi Chitralekha | C Minor | 8 | 5A | 100 BPM | ||
| Bans Ki Bansuriya Pe | Dolly Sharma | F♯ Major | 7 | 2B | 97 BPM | ||
| Vrindavan Dham Apaar Jape Ja Radhe Radhe | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 9 | 7B | 144 BPM | ||
| Ghar Mein Padharo Gajananji | Sapna Awasthi | B Major | 3 | 1B | 176 BPM | ||
| He Ri Sakhi Mangal Gaao Ri | Mishra Bandhu | D♭ Major | 9 | 3B | 101 BPM | ||
| Shiv Shankar Beda Paar Karo | Hariharan | C Minor | 6 | 5A | 89 BPM | ||
| Meri Lagi Shaym Sang Preet Ye Duniya Kya Jane | Sanatana Sankirtan, Shyam Bihari Das, JayShree | B♭ Major | 4 | 6B | 92 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM | ||
| Hamare Sath Bholenath | Gajendra Pratap Singh | F Major | 7 | 7B | 139 BPM | ||
| Ae Tun - Tun Ke Deedie | Sunil Chhaila Bihari, Tripti Shakya | F♯ Major | 7 | 2B | 142 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Mera Shyam aa Jata Mere Samne | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Radhe Tere Charno Ki Dhool Jo Mil Jaye | Bal Krishan (Anoop Sharma) | F♯ Minor | 6 | 11A | 90 BPM | ||
| Jaahi Vidhi Rakhe Ram | Tripti Shakya | B Minor | 7 | 10A | 107 BPM | ||
| Mantra Pushpanjli | Pujya Bhaishree Rameshbhai Ojha | A♭ Major | 4 | 4B | 132 BPM | ||
| Bhole Hath Sab Tere | A-Jay M | F♯ Major | 8 | 2B | 116 BPM |