Three Japanese Lyrics: II. Mazatsumi by Igor Stravinsky, Nash Ensemble, Sir Simon Rattle, Jane Manning Song Details

"Three Japanese Lyrics: II. Mazatsumi" by Igor Stravinsky, Nash Ensemble, Sir Simon Rattle, Jane Manning had its release date on June 1, 1978. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stravinsky: Symphonies Of Wind Instruments". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Three Japanese Lyrics: II. Mazatsumi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Three Japanese Lyrics: II. Mazatsumi by Igor Stravinsky, Nash Ensemble, Sir Simon Rattle, Jane Manning having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.625 dB
Acousticness: 98%
Danceability: 28%
Energy: 8%
Instrumentalness: 88%
Liveness: 8%
Loudness: 61%
Speechiness: 5%
Valence: 17%

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