"Sinfonia antartica "Symphony No. 7": II. Scherzo. Moderato" by Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins had its release date on March 3, 2023. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Sinfonia antartica (Symphony No. 7) & Symphony No. 9 by Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins. The song's track number on the album is #2 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Sinfonia antartica "Symphony No. 7": II. Scherzo. Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sinfonia antartica "Symphony No. 7": II. Scherzo. Moderato by Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sinfonia antartica "Symphony No. 7": II. Scherzo. Moderato being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Henry V: "Touch her Soft Lips and Part" (1944) | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 98 BPM | ||
| Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski) | George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 84 BPM | ||
| Trade Winds | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 66 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 85 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
| Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Petite suite, L. 65: No. 1, En bateau (Orch. H. Buser) | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | E♭ Major | 1 | 5B | 92 BPM | ||
| Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Suite No. 3, P. 172: II. Arie Di Corte: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 79 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Prelude: 49th Parallel | Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 1 | 9B | 84 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM |