Muzafar's ' "Aas Laraan" was released on its scheduled release date, October 8, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Muzafar, Rafiq, Harris's "Me Kota Aos" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Aas Laraan's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Aas Laraan by Muzafar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sabka Swami Chal Diya Sabse Nata Tod | Ravindra Jain | F♯ Major | 1 | 2B | 123 BPM | ||
| Karie Swagatam | Baps Swaminarayan Sanstha | C Major | 4 | 8B | 101 BPM | ||
| Zindagi Chist | Ehsan Eshaq, Mamoon Eshaq | B♭ Minor | 7 | 3A | 110 BPM | ||
| Mujhse Pehli Si Mohabbat | Noor Jehan | G Major | 6 | 9B | 147 BPM | ||
| Manush Bhaja, Manush Puja | Bauls of Bengal | D Major | 5 | 10B | 91 BPM | ||
| Pyar Pyar Pyar Pyar | Anwar Qureshi, Milind Ingle, Arun Joglekar | F Major | 7 | 7B | 91 BPM | ||
| Hum Na Samjhe The - Jhankar | S. P. Balasubrahmanyam | C Major | 9 | 8B | 97 BPM | ||
| Thake Ki Kichhui | Indranil Sen | E♭ Major | 3 | 5B | 83 BPM | ||
| Frishta | Qadir Dilan | B♭ Major | 5 | 6B | 93 BPM | ||
| Tauba - Traditional | Nusrat Fateh Ali Khan | A Major | 9 | 11B | 173 BPM | ||
| Kali Karali | Amarnath Bhattacharjee | B Minor | 7 | 10A | 100 BPM | ||
| Tere Dar Par Sanam - Male Version | Kumar Sanu | D Major | 4 | 10B | 82 BPM | ||
| Simar Man Krishnam Sachidanandam | Hita Ambrish | B Major | 7 | 1B | 145 BPM | ||
| Del Shoda Ghafel Rafta Ze Dastam | Zahir howaida | D♭ Major | 5 | 3B | 105 BPM | ||
| Ei Besh Bhalo Achhi | Nachiketa Chakraborty | C Minor | 5 | 5A | 121 BPM | ||
| Khaaham Cho Raaz Penhaan | Ahmad Zahir | B Minor | 6 | 10A | 112 BPM | ||
| Jay Jay Aksharpurshottam | Baps Swaminarayan Sanstha | C Major | 7 | 8B | 102 BPM | ||
| Makh De Tabana Sta | Sardar Ali Takkar | F Minor | 7 | 4A | 137 BPM | ||
| Yun Mere Khat Ka Jawab Aaya | Pankaj Udhas | G Minor | 3 | 6A | 95 BPM | ||
| Mu Je Laajare Chahin Paaruni | Narendra Kumar | G Minor | 8 | 6A | 137 BPM | ||
| Ram Ji Ki Sena Chali, Pt. 2 | Ravindra Jain, Kumar Sanu, Satish Dehra | F Major | 7 | 7B | 154 BPM | ||
| Suno Mere Ram | Anup Jalota | F Minor | 9 | 4A | 83 BPM | ||
| Watandaare Gulem | Farhad Darya | E Minor | 4 | 9A | 88 BPM | ||
| Bolbona Go Ar Kono Din - 22 | Baul Sukumar | B♭ Minor | 5 | 3A | 99 BPM | ||
| Gunjane Dole Je Bhramar | Kishore Kumar, Asha Bhosle | B Major | 5 | 1B | 181 BPM |