"Dust & Wind" by Charlie Stout had its release date on July 15, 2016. This song appears to be safe for all ages as it is not explicit. The song is number 9 out of 9 in Dust & Wind by Charlie Stout. Dust & Wind is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dust & Wind by Charlie Stout is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black T-Shirt | Slaid Cleaves | A Major | 4 | 11B | 87 BPM | ||
| Rattlesnakes (Through the Cotton) | The Damn Quails | C Major | 6 | 8B | 122 BPM | ||
| Miles and Miles | Kevin Galloway | A Major | 6 | 11B | 90 BPM | ||
| Insantiy and Texas | Dub Miller | B♭ Major | 5 | 6B | 93 BPM | ||
| The Way We See Heaven | Jeremy Pinnell | C Major | 6 | 8B | 84 BPM | ||
| Just a Little While | The Damn Quails | G Major | 8 | 9B | 160 BPM | ||
| The Highway Less Taken | Justin Wells | C Major | 7 | 8B | 94 BPM | ||
| These Reminders | Max Stalling | G Major | 6 | 9B | 107 BPM | ||
| If These Old Bones Could Talk | Matt Hillyer | E Major | 6 | 12B | 90 BPM | ||
| The Last Rattlesnake in All of West Texas | Charlie Stout | E Minor | 6 | 9A | 131 BPM | ||
| I Got You | Ward Davis | B Minor | 3 | 10A | 119 BPM | ||
| High Note | Tim Goodin | D♭ Major | 5 | 3B | 157 BPM | ||
| This Crazy Life | Eleven Hundred Springs | G Major | 6 | 9B | 83 BPM | ||
| Road Stone | Drew Moreland | G Major | 8 | 9B | 170 BPM | ||
| Leave Her Wild | Charlie Shafter | E Major | 7 | 12B | 104 BPM | ||
| Where Only the Graves Are Real | Otis Gibbs | E Major | 5 | 12B | 91 BPM | ||
| Lights of Cheyenne | James McMurtry | A♭ Major | 4 | 4B | 148 BPM | ||
| Big Time | Hellbound Glory | G Major | 5 | 9B | 76 BPM | ||
| Horseback Man for Hire | Andy Hedges | G Major | 2 | 9B | 95 BPM | ||
| Rebel Soul | Scott Copeland | F Minor | 6 | 4A | 88 BPM | ||
| Ballad of Copper Junction (A Journeyman's Lament) | Jeffrey Foucault | G Major | 2 | 9B | 165 BPM | ||
| Chickamauga | Willy Tea Taylor | F Major | 3 | 7B | 118 BPM | ||
| Jesus & James Dean | Charlie Shafter | D Major | 4 | 10B | 116 BPM | ||
| Hometowns | J.D. Graham | F Major | 1 | 7B | 126 BPM | ||
| Gulf Road | James McMurtry | E Major | 4 | 12B | 137 BPM |