Pyotr Ilyich Tchaikovsky, Simone Anichini's ' "Swan Lake" was released on its scheduled release date, February 14, 2024. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Swan Lake only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Italy. Swan Lake is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Swan Lake by Pyotr Ilyich Tchaikovsky, Simone Anichini having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Stolze & Tchaikovsky: Onegin: Tatiana's Bedroom. Apparition of Onegin - Pas de deux (After Eugen Onegin, Op. 24) | Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra | B Minor | 0 | 10A | 85 BPM | ||
| The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
| Concerto for 2 Mandolins in G Major, RV 532: III. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
| Masquerade, Ballet Music - Suite from the Music to the "Drama of Lermontov": I. Waltz | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Symphony Orchestra | C Major | 5 | 8B | 97 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Clog Dance (La Fille Mal Gardee) | The Regency House Orchestra | G Minor | 2 | 6A | 130 BPM | ||
| Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
| Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Prélude in E minor, Op. 28, No. 4 | Frédéric Chopin, Janusz Olejniczak | E Minor | 0 | 9A | 63 BPM | ||
| Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | ||
| Tales of Hoffmann: Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
| Don Quixote, Act I: Quiteria's Variation | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | B Minor | 2 | 10A | 141 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
| Overture (Suite) No. 2 In B Minor, BWV 1067 : VII. Badinerie | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D♭ Minor | 1 | 12A | 87 BPM | ||
| Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
| The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 72 BPM | ||
| Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
| Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM |