Welcome oblivion
How To Destroy Angels
Welcome oblivion
3:47 March 5, 2013
BPM
148
Key
B Major
Camelot
1B

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Welcome oblivion by How To Destroy Angels Song Details

How To Destroy Angels's 'Welcome oblivion' had a release date set for March 5, 2013. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Welcome oblivion by How To Destroy Angels. The song's track number on the album is #4 out of 19 tracks. Based on our statistics, Welcome oblivion's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

Since Welcome oblivion by How To Destroy Angels has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Welcome oblivion being at 148 BPM, the half-time would be 74 BPM with a double-time of 296 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.394 dB
Acousticness
6%
Danceability
50%
Energy
86%
Instrumentalness
95%
Liveness
32%
Loudness
89%
Speechiness
4%
Valence
35%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records