Albert de Rippe, Hopkinson Smith's ' "Fantasie No. 1" was released on its scheduled release date, January 1, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 12 in De Rippe: Tabulature de leut by Albert de Rippe, Hopkinson Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Fantasie No. 1 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Fantasie No. 1 by Albert de Rippe, Hopkinson Smith is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glosa Sobre el Cum Sancto (Tiento del Séptimo Tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 108 BPM | ||
| Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
| Paradetas | Gaspar Sanz, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM | ||
| Ricercar Lautre jour #101 | Marco Dall'Aquila, Paul O'Dette | D Minor | 0 | 7A | 101 BPM | ||
| Lute Sonata No. 9: II. Alemanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 1 | 12A | 92 BPM | ||
| Ballo secondo | Giovanni Girolamo Kapsberger, Les Kapsber'girls | B Major | 1 | 1B | 89 BPM | ||
| Folia (2) | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 140 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
| Seis diferencias del igno de Nuestra Señora O gloriosa domina, Book IV | Luis de Narváez, Xavier Diaz-Latorre | B♭ Minor | 1 | 3A | 101 BPM | ||
| Mudarra : Glosa sobre un Kyrie postrero | Heringman | C Minor | 0 | 5A | 96 BPM | ||
| Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM | ||
| Fantasie sixiesme | Albert de Rippe, Eduardo Egüez | A♭ Major | 1 | 4B | 114 BPM | ||
| Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
| Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | ||
| Canario | Juan Carlos Rivera | G Major | 0 | 9B | 105 BPM | ||
| Pavane, Gaillarde | Albert de Rippe, Gabriele Palomba | E♭ Major | 1 | 5B | 145 BPM | ||
| Fantasia 12 | Edward Martin | B♭ Major | 2 | 6B | 84 BPM | ||
| MRS. White's Nothing | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 95 BPM | ||
| Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| La mia Barbara | John Dowland, Joachim Held | E Major | 1 | 12B | 79 BPM | ||
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| Galliard | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 86 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |