"The End" by Lambert had its release date on May 12, 2017. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The End's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Sweet Apocalypse". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The End's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The End by Lambert having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnetic Perturbation | Niklas Paschburg | F Minor | 3 | 4A | 140 BPM | ||
| Subtle Moves | Dmitry Evgrafov | A♭ Major | 0 | 4B | 102 BPM | ||
| A Sparrow Alighted upon our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F♯ Minor | 1 | 11A | 139 BPM | ||
| Deep Under | Eydís Evensen | E♭ Major | 2 | 5B | 114 BPM | ||
| Maalie on Yesnaby Castle - Vince Pope Rework | Erland Cooper, Vince Pope | A♭ Minor | 0 | 1A | 65 BPM | ||
| Blessed Messenger | Luca D'Alberto | E Minor | 1 | 9A | 138 BPM | ||
| A Small Kind Of Revival | Sophie Hutchings | D Major | 3 | 10B | 124 BPM | ||
| Money & Love | Lambert | A♭ Minor | 2 | 1A | 103 BPM | ||
| Insight XXI | Julien Marchal | F Major | 2 | 7B | 174 BPM | ||
| Almost June | Ludovico Einaudi | B♭ Major | 0 | 6B | 65 BPM | ||
| The Haunted Victorian Pencil | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | G Minor | 0 | 6A | 80 BPM | ||
| Gehen oder bleiben - Lambert Rework | Juli, Lambert | D♭ Major | 1 | 3B | 139 BPM | ||
| Pothum Vanmurai | Ztish, Lambert, Yasmin JK, Pheonix Dassan | A Minor | 6 | 8A | 98 BPM | ||
| Hypnagogia | Vetle Nærø | F Minor | 0 | 4A | 210 BPM | ||
| The Stream | Lambert | D♭ Major | 2 | 3B | 131 BPM | ||
| Reel | Dmitry Evgrafov | E♭ Major | 3 | 5B | 140 BPM | ||
| We Came and Left (Solo Piano) | Cedric Vermue | F Minor | 2 | 4A | 158 BPM | ||
| Changing Winds | Alexandra Streliski | C Major | 0 | 8B | 74 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Her Eyes the Stars | Patrik Berg Almkvisth, LUCHS | D♭ Minor | 1 | 12A | 148 BPM | ||
| Nostalgia | Lambert | D♭ Minor | 0 | 12A | 120 BPM | ||
| saman - Sunrise Session II | Ólafur Arnalds | D♭ Major | 1 | 3B | 106 BPM | ||
| Late | Nils Frahm | G Minor | 0 | 6A | 110 BPM | ||
| Far And Close | Dmitry Evgrafov | E♭ Major | 0 | 5B | 82 BPM | ||
| Illumination | Dmitry Evgrafov | E Major | 0 | 12B | 76 BPM |