"Quantum Physics" by Daniel Pemberton had its release date on December 17, 2018. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Spider-Man: Into the Spider-Verse (Original Score)". In this album, this song's track order is #19. Based on our statistics, Quantum Physics's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Quantum Physics by Daniel Pemberton having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horizon 12.2 | Thomas Newman | D♭ Major | 2 | 3B | 99 BPM | ||
| Stealing the Scarab | Bobby Krlic | D Major | 2 | 10B | 111 BPM | ||
| Bridge | Joel Schoch | C Major | 1 | 8B | 91 BPM | ||
| The Sphere | Bobby Krlic | G Minor | 4 | 6A | 94 BPM | ||
| THE DARK KNUT RETURNS | Trent Reznor and Atticus Ross | D♭ Major | 7 | 3B | 174 BPM | ||
| Why Do You Fight? | Pinar Toprak | C Minor | 2 | 5A | 144 BPM | ||
| Cargo Lift | Jed Kurzel | A♭ Major | 7 | 4B | 90 BPM | ||
| Run | Benjamin Wallfisch | D♭ Major | 6 | 3B | 172 BPM | ||
| Machine Made | The Flight | D♭ Minor | 3 | 12A | 83 BPM | ||
| Village Scales | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Back Where It All Started | Daniel Pemberton | E Minor | 8 | 9A | 145 BPM | ||
| Iron Man x Killmonger | Krutikov Music | E Major | 6 | 12B | 172 BPM | ||
| A Quiet Family | Marco Beltrami | G Major | 1 | 9B | 61 BPM | ||
| Boarding the Train | Pinar Toprak | D Minor | 1 | 7A | 112 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM | ||
| The Amazing Spider-Man | Daniel Pemberton | C Major | 6 | 8B | 118 BPM | ||
| Helios | Bobby Krlic | D Major | 8 | 10B | 142 BPM | ||
| CLOCKMAKER | Trent Reznor and Atticus Ross | A Minor | 1 | 8A | 66 BPM | ||
| Night Research (From "The Imitation Game" Soundtrack) | Alexandre Desplat, London Symphony Orchestra | A Major | 0 | 11B | 120 BPM | ||
| Your Father | Joel P West | C Minor | 3 | 5A | 104 BPM | ||
| To Q Zone | Alexandre Desplat | A Minor | 1 | 8A | 88 BPM | ||
| Overheating | Atli Örvarsson | F Minor | 5 | 4A | 160 BPM | ||
| Night Driving | Marco Beltrami, Buck Sanders | B Major | 9 | 1B | 140 BPM | ||
| Catch Up | Natalie Holt | G Minor | 5 | 6A | 100 BPM | ||
| Sorry, Boys | Nick Arundel | A♭ Major | 3 | 4B | 145 BPM |