Lata Mangeshkar, R. D. Burman's ' "Silli Hawa Chhoo Gai" was released on its scheduled release date, January 1, 1988. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in R. D. Burman's "Libaas" album is number 1 out of 4. On top of that, India appears to be the country where this track was created. The popularity of Silli Hawa Chhoo Gai is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Silli Hawa Chhoo Gai by Lata Mangeshkar, R. D. Burman to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aansoo Jo Ho | Ghulam Ali, Ritu Johri | G Minor | 6 | 6A | 174 BPM | ||
| Na Jane Kyon Hota Hai | Lata Mangeshkar | A♭ Major | 4 | 4B | 83 BPM | ||
| Aa Ab Laut Chalen | Mukesh, Lata Mangeshkar | A Minor | 6 | 8A | 147 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Kya Mil Gaya Bhagwan | Noor Jehan | D♭ Major | 4 | 3B | 121 BPM | ||
| Rasm-e-Ulfat | Talat Aziz | C Major | 6 | 8B | 81 BPM | ||
| Jana O Meri Jana - From "Sanam Teri Kasam" | R. D. Burman | G Major | 3 | 9B | 122 BPM | ||
| Yeh Lamhe Yeh Pal | Hariharan | G Major | 4 | 9B | 127 BPM | ||
| Samay O Dhire Chalo - Male Version | Bhupen Hazarika | B♭ Major | 5 | 6B | 82 BPM | ||
| Sun Mere Bandhu Re Sun Mere Mitwa | S. D. Burman | B♭ Major | 2 | 6B | 123 BPM | ||
| Yeh Kaun Aa Gayi Dilruba Mehaki | Ghulam Ali | C Minor | 2 | 5A | 147 BPM | ||
| Aur Kya Ahede Wafa - Female Version | R. D. Burman, Asha Bhosle | C Major | 5 | 8B | 159 BPM | ||
| Mujhse Milneh Ke Bahane | Chitra Singh | A♭ Major | 3 | 4B | 127 BPM | ||
| Deewana Mujhsa Nahin | Mohammed Rafi, R. D. Burman | A♭ Major | 3 | 4B | 134 BPM | ||
| Aur Kya Ahede Wafa - Male Version | R. D. Burman, Suresh Wadkar | E Minor | 5 | 9A | 159 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Koi Chupke Se Aake | Geeta Dutt | D♭ Major | 1 | 3B | 83 BPM | ||
| Na Jiya Lage Na | Lata Mangeshkar | A♭ Major | 5 | 4B | 180 BPM | ||
| Koi Yeh Kaise Bataye | Jagjit Singh | G Minor | 2 | 6A | 125 BPM | ||
| Chand Tanha | Meena Kumari | C Major | 1 | 8B | 96 BPM | ||
| Itna Na Mujhse Tu Pyar Badha | Talat Mahmood, Lata Mangeshkar | C Major | 5 | 8B | 200 BPM | ||
| Dhadkan Zara Ruk Gayee Hai (From "Prahaar") | Suresh Wadkar | F♯ Major | 2 | 2B | 140 BPM | ||
| Raahi Matwale | Talat Mahmood, Suraiya | A♭ Major | 3 | 4B | 75 BPM | ||
| Rahen Na Rahen | Lata Mangeshkar | C Major | 3 | 8B | 107 BPM | ||
| Jagat Musafir Khana | R. D. Burman | C Major | 4 | 8B | 149 BPM |