What is the BPM for 詩人の恋昔のおとぎ話より by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ）?

The tempo for 詩人の恋昔のおとぎ話より is 88 beats per a minute with a half-time of 44 BPM and a double-time of 176 BPM.

What is the music key for 詩人の恋昔のおとぎ話より by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ）?

The music key for 詩人の恋昔のおとぎ話より is E Major or a camelot key of 12B.

詩人の恋　昔のおとぎ話より by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ） Song Details

"詩人の恋　昔のおとぎ話より" by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ） had its release date on September 24, 2005. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. 詩人の恋　昔のおとぎ話より's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in シューベルト：アルペジョーネ・ソナタ, so we believe that "詩人の恋　昔のおとぎ話より" is a single. 詩人の恋　昔のおとぎ話より is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 詩人の恋　昔のおとぎ話より by R. シューマン, 栃尾克樹（バリトン・サックス）, 野平一郎（ピアノ） is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.61 dB
Acousticness: 100%
Danceability: 39%
Energy: 12%
Instrumentalness: 88%
Liveness: 13%
Loudness: 66%
Speechiness: 5%
Valence: 14%

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