DAVID GRISMAN QUINTET's ' "Dawg After Dark" was released on its scheduled release date, June 25, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 13 in Dawgnation by DAVID GRISMAN QUINTET. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Dawg After Dark is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Dawg After Dark by DAVID GRISMAN QUINTET is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Hot to Move | Andrew Marlin | F Major | 2 | 7B | 75 BPM | ||
| Waltz For Indira | Tony Rice Unit | B♭ Major | 1 | 6B | 89 BPM | ||
| a star no matter where you are | Tray Wellington | E Minor | 7 | 9A | 100 BPM | ||
| 16/16 | DAVID GRISMAN QUINTET | G Minor | 5 | 6A | 149 BPM | ||
| New Waltz | Tony Rice Unit | F Major | 1 | 7B | 80 BPM | ||
| Witching Hour | Andrew Marlin | G Major | 6 | 9B | 107 BPM | ||
| Cowboys And Indians | Bill Emerson | F♯ Major | 4 | 2B | 173 BPM | ||
| Because | Mike Marshall | E Minor | 1 | 9A | 105 BPM | ||
| Song For Two Pamelas | David Grisman, Tony Rice | D Minor | 1 | 7A | 96 BPM | ||
| Feels So Good (with Jake Shimabukuro) | Alison Brown | C Major | 5 | 8B | 105 BPM | ||
| Grateful Dawg - Alternate Version | Jerry Garcia, David Grisman | E Minor | 3 | 9A | 121 BPM | ||
| Big Mon | Bill Monroe & His Blue Grass Boys | D Major | 7 | 10B | 148 BPM | ||
| Cold Frosty Morning | Tim Connell, Eric Skye | G Major | 4 | 9B | 175 BPM | ||
| Richmond | Larry Sparks | A Major | 7 | 11B | 166 BPM | ||
| Alabama Jubilee | David Grier | G Major | 5 | 9B | 143 BPM | ||
| Theme From Capone | DAVID GRISMAN QUINTET | A Minor | 3 | 8A | 138 BPM | ||
| Ginseng Sullivan | Julian Lage & Chris Eldridge | E Minor | 7 | 9A | 100 BPM | ||
| Matin Gitan | Quintette du Hot Club de France, Ensemble de Jazz Manouche, Dorado Schmitt | F Major | 5 | 7B | 118 BPM | ||
| Richochet | David Grisman | G Major | 2 | 9B | 125 BPM | ||
| Memory Bank | Alex Graf | C Major | 7 | 8B | 114 BPM | ||
| Susquehanna Breakdown | Cabinet | D Major | 9 | 10B | 176 BPM | ||
| Old Grimes | Julian Lage & Chris Eldridge | E Minor | 7 | 9A | 100 BPM | ||
| Garfield's Blackberry Blossom | The Nashville Bluegrass Band | G Major | 7 | 9B | 128 BPM | ||
| Bury Me Beneath the Willow | Clarence White | C Major | 5 | 8B | 105 BPM | ||
| Appalachian Rain | Larry Keel | G Minor | 8 | 6A | 144 BPM |