Stan Kenton's ' "Intermission Riff" was released on its scheduled release date, January 1, 1956. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stan Kenton's "Kenton In Hi-Fi" album is number 3 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Intermission Riff is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Intermission Riff by Stan Kenton to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Slightly Off The Ground | The Tom Kubis Big Band | A Minor | 5 | 8A | 133 BPM | ||
| Rockin' In Rhythm | Clark Terry | F Minor | 4 | 4A | 168 BPM | ||
| I'm Not So Sure | Roy Hargrove | F♯ Major | 5 | 2B | 171 BPM | ||
| Hip Trolley | Carmell Jones | E♭ Major | 7 | 5B | 102 BPM | ||
| Body And Soul | Stan Kenton | D♭ Major | 2 | 3B | 113 BPM | ||
| Pawn Ticket | Ray Bryant Trio | C Major | 2 | 8B | 134 BPM | ||
| Caldonia | Woody Herman & His Orchestra | F Minor | 8 | 4A | 133 BPM | ||
| Candy | Clark Terry | G Minor | 3 | 6A | 118 BPM | ||
| Casbah | Fats Navarro | D Major | 6 | 10B | 157 BPM | ||
| Eager Beaver | Stan Kenton | D♭ Major | 4 | 3B | 73 BPM | ||
| Artistry in Rhythm | Stan Kenton | F Minor | 3 | 4A | 154 BPM | ||
| Piece for Two Tromboniums | J.J. Johnson, Kai Winding | G Minor | 3 | 6A | 174 BPM | ||
| Love For Sale | Oscar Peterson, Ray Brown, Ed Thigpen | F♯ Major | 1 | 2B | 115 BPM | ||
| Keeper Of The Flame | Woody Herman & His Orchestra | A Minor | 5 | 8A | 147 BPM | ||
| Neptune: The Mystic | Jeremy Levy Jazz Orchestra | B Major | 4 | 1B | 110 BPM | ||
| So What | John La Barbera Big Band | A Minor | 5 | 8A | 90 BPM | ||
| Reaching Fourth | McCoy Tyner Trio | E Major | 5 | 12B | 84 BPM | ||
| Isotope | Joe Henderson | C Major | 4 | 8B | 173 BPM | ||
| Inception | McCoy Tyner Trio | F Minor | 4 | 4A | 140 BPM | ||
| Get Up | Bob Mintzer Big Band | B♭ Minor | 6 | 3A | 103 BPM | ||
| After Hours | Erskine Hawkins | G Major | 1 | 9B | 84 BPM | ||
| Blues And The Abstract Truth | Oliver Nelson, Daniel Moore | G Minor | 6 | 6A | 116 BPM | ||
| Hash Brown | Earl Hines | F♯ Major | 5 | 2B | 103 BPM | ||
| Nippon Soul (Nihon No Soul) | Cannonball Adderley Sextet | A♭ Major | 3 | 4B | 138 BPM | ||
| Organ Grinder | Woody Shaw | E♭ Major | 4 | 5B | 111 BPM |