"L’Alouette" by Mikhail Glinka, Etsuko Hirose had its release date on June 3, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 33ème Festival International de Piano de La Roque d'Anthéron, so we believe that "L’Alouette" is a single. In terms of popularity, L’Alouette is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L’Alouette by Mikhail Glinka, Etsuko Hirose is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
| Nocturne in F Minor "La Séparation" | Mikhail Glinka, Vadim Chaimovich | F Minor | 0 | 4A | 66 BPM | ||
| Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
| Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Nocturne No. 13 In D Minor | Benjamin Frith, John Field | D Minor | 0 | 7A | 68 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Seong-Jin Cho | G Minor | 1 | 6A | 65 BPM | ||
| Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Préludes / Book 1, L.117: 2. Voiles | Claude Debussy, Pierre-Laurent Aimard | C Minor | 0 | 5A | 138 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | F Minor | 1 | 4A | 128 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | C Major | 2 | 8B | 125 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | ||
| The Lark | Mily Balakirev, Mikhail Glinka, Olga Scheps | B♭ Minor | 0 | 3A | 72 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 106 BPM | ||
| Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
| Intermezzo Op. 76, No. 7 in A minor | Evgeny Kissin | A Minor | 0 | 8A | 70 BPM | ||
| Ruslan and Lyudmila, Act III: No. 16, Finale "O moy Ratmir!" | Mikhail Glinka, Нина Фомина, Tamara Sinyavskaya, Yevgeny Nesterenko, Альберт Масленников, хор Большого театра, Юрий Симонов, Оркестр Большого театра | D Major | 2 | 10B | 89 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM |