"I: Introduction" by Returning We Hear the Larks had its release date on September 8, 2010. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. I: Introduction's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Ypres by Returning We Hear the Larks. The song's track number on the album is #1 out of 8 tracks. Based on our statistics, I: Introduction's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since I: Introduction by Returning We Hear the Larks has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With I: Introduction being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Luxata | Vitalism | B♭ Minor | 9 | 3A | 125 BPM | ||
| Nascence in the Caverns of Mount Olympus | Returning We Hear the Larks | A Minor | 10 | 8A | 125 BPM | ||
| Mire (Instrumental) | After The Burial | D♭ Major | 10 | 3B | 200 BPM | ||
| Desolate Horizons | Merrow | E Major | 10 | 12B | 149 BPM | ||
| Collapse | Drewsif | A Minor | 9 | 8A | 120 BPM | ||
| Braving the Dunes | Merrow | E♭ Minor | 10 | 2A | 175 BPM | ||
| Violet Blue | One Decade | D♭ Major | 3 | 3B | 81 BPM | ||
| Reign of Silence | Indistinct | B Minor | 6 | 10A | 142 BPM | ||
| Perspective | Anup Sastry | A Minor | 8 | 8A | 141 BPM | ||
| Horn | Shades Of Black | C Minor | 10 | 5A | 130 BPM | ||
| Sightless | Fractalize | C Major | 9 | 8B | 201 BPM | ||
| Amycus | Returning We Hear the Larks | C Major | 5 | 8B | 135 BPM | ||
| Orion | One Decade | B♭ Minor | 10 | 3A | 119 BPM | ||
| Serenading Silence | The Dali Thundering Concept, Jake Howsam Lowe, Morgan Berthet | B Major | 3 | 1B | 113 BPM | ||
| Clarity in Chaos | Chimp Spanner | F♯ Minor | 9 | 11A | 137 BPM | ||
| NICOTINE | Liquorworks | F♯ Major | 9 | 2B | 160 BPM | ||
| In Death - Instrumental | Angelmaker | C Major | 9 | 8B | 115 BPM | ||
| Bubble Guts | Shades of Black | F Minor | 10 | 4A | 108 BPM | ||
| Opaque | Pathogen | D Major | 10 | 10B | 139 BPM | ||
| Hotel Cali-Fortin | Rabea Massaad | D♭ Minor | 10 | 12A | 115 BPM | ||
| Nocturnal Hours (feat. Jørgen Munkeby) | Haunted Shores, Jørgen Munkeby | E Minor | 10 | 9A | 101 BPM | ||
| ii ; Schopenhauer's Fallacy | Miroist | B♭ Minor | 10 | 3A | 93 BPM | ||
| Wrath Of The End Times (Intro) - Remastered | Metal Sanctuary | D♭ Major | 8 | 3B | 200 BPM | ||
| Sönder | Stoort Neer | D♭ Major | 10 | 3B | 85 BPM | ||
| An arcsecond among pioneers | Miroist | G Major | 10 | 9B | 87 BPM |