Franz Joseph Haydn, The Angeles String Quartet's ' "String Quartet in A Major, Hob.III:7, (Op.2 No.1): 2. Menuetto" was released on its scheduled release date, January 1, 2000. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. String Quartet in A Major, Hob.III:7, (Op.2 No.1): 2. Menuetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 12 out of 280. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, String Quartet in A Major, Hob.III:7, (Op.2 No.1): 2. Menuetto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of String Quartet in A Major, Hob.III:7, (Op.2 No.1): 2. Menuetto by Franz Joseph Haydn, The Angeles String Quartet to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brio | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM | ||
| Symphony in A Major, Op. 24 No. 2, P. I:7: III. Menuetto. Allegretto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 0 | 11B | 143 BPM | ||
| Flute Concerto in G Minor, QV 5:196: I. Allegro di molto, ma con brio | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | F Major | 2 | 7B | 145 BPM | ||
| Symphony in C Minor, Bryan Cm2: IV. Allegro molto | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 87 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 129 BPM | ||
| Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | F Major | 1 | 7B | 133 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | F♯ Major | 1 | 2B | 71 BPM | ||
| Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| La fiera di Venezia: Overture | Antonio Salieri, Moldavian National Symphony Orchestra, Silvano Frontalini | A Major | 1 | 11B | 102 BPM | ||
| Proserpine: Overture in D Major: I. Allegro spiritoso | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 3 | 10B | 140 BPM | ||
| Sextet in E-Flat Major, Op. 81b: II. Adagio | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | A♭ Major | 0 | 4B | 99 BPM | ||
| Symphony No. 102 in B-Flat Major, Hob.I:102: I. Largo - Allegro vivace | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | B♭ Major | 2 | 6B | 109 BPM | ||
| Concerto for Harpsichord, Strings, and Continuo No. 7 in G minor, BWV 1058: 2. Andante | Johann Sebastian Bach, András Schiff, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | ||
| Hummel: Trumpet Concerto in E-Flat Major: I. Allegro con spirito | Johann Nepomuk Hummel, Alison Balsom, Deutsche Kammerphilharmonie Bremen | B♭ Major | 2 | 6B | 137 BPM | ||
| Piano Concerto No. 4 in G Minor: I. Allegro | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | E♭ Major | 2 | 5B | 135 BPM | ||
| String Quartet in E-Flat Major: I. Adagio ma non troppo | Fanny Mendelssohn, Merel Quartet | E Minor | 2 | 9A | 120 BPM | ||
| Symphony in D Major, Bryan D2: IV. Allegro | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 146 BPM | ||
| Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
| Andante e Rondo ungarese, Op. 35, J. 158 | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | C Major | 1 | 8B | 85 BPM | ||
| String Quartet in E-Flat Major, H-U 277: I. Adagio ma non troppo | Fanny Mendelssohn, Takács Quartet | A♭ Major | 1 | 4B | 139 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 1 | 12B | 114 BPM | ||
| 18 German Dances & Ecossaises, Op. 33, D. 783: No. 3, Tanz III - No. 4, Tanz IV - No. 5, Tanz V (Arr. for Orchestra by Johann Ritter von Herbeck) | Franz Schubert, Munich Radio Orchestra, Oscar Jockel | D Major | 0 | 10B | 91 BPM | ||
| Symphony in F Major, J-C 32: I. Presto | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | F Major | 1 | 7B | 131 BPM | ||
| Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": II. Adagio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | A Major | 0 | 11B | 76 BPM |