"That's How I Cut and Run" by Steven Price had its release date on August 8, 2016. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Suicide Squad (Original Motion Picture Score)". In this album, this song's track order is #9. That's How I Cut and Run is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With That's How I Cut and Run by Steven Price having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| FWD: Confession | Torin Borrowdale | B Major | 1 | 1B | 140 BPM | ||
| A Long Way Back | Jon Ekstrand | D♭ Major | 3 | 3B | 104 BPM | ||
| The Light That Failed | Bobby Tahouri | D♭ Major | 7 | 3B | 88 BPM | ||
| Permission To Come Aboard | Rupert Gregson-Williams | D♭ Major | 5 | 3B | 146 BPM | ||
| Mayhem In Monaco | John Debney | E Minor | 4 | 9A | 140 BPM | ||
| Turn It Off | Steven Price | B Minor | 5 | 10A | 62 BPM | ||
| The Animus | Jed Kurzel | A Major | 4 | 11B | 130 BPM | ||
| Where To? | Mark Mothersbaugh | F Major | 1 | 7B | 95 BPM | ||
| Worlds on Fire | Future Heroes | A♭ Major | 3 | 4B | 120 BPM | ||
| The X-Jet | Michael Kamen, The LA Allstar Orchestra | E Major | 4 | 12B | 114 BPM | ||
| Angel On The Wing | Rupert Gregson-Williams | G Minor | 2 | 6A | 58 BPM | ||
| Battlefields | 2WEI | F Minor | 6 | 4A | 135 BPM | ||
| Hell of a Ride | 2WEI | B♭ Major | 5 | 6B | 160 BPM | ||
| Heart of Stone | Steven Price | F Major | 6 | 7B | 111 BPM | ||
| Zero Injuries Sustained | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| End Credits | Junkie XL | E Minor | 9 | 9A | 86 BPM | ||
| Caesar's Home | Patrick Doyle | D Major | 1 | 10B | 79 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Glory to Bast | Ludwig Göransson | F Major | 6 | 7B | 112 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Mercury Rises | Really Slow Motion | E Minor | 6 | 9A | 90 BPM | ||
| Informing The Target | Zack Hemsey | G Major | 4 | 9B | 90 BPM | ||
| Opening | West Dylan Thordson | B Minor | 1 | 10A | 75 BPM | ||
| Iron Fist Main Titles | Trevor Morris | D♭ Major | 7 | 3B | 130 BPM |