Eddie Harris's ' "Free at Last" was released on its scheduled release date, July 26, 2005. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Silver Cycles". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Free at Last's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Free at Last by Eddie Harris having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Not Talking | Mose Allison | B♭ Major | 4 | 6B | 90 BPM | ||
| Here Comes Charlie - Instrumental | Charles Earland | C Minor | 7 | 5A | 134 BPM | ||
| Sneakin' In The Back | Tom Scott And The L.A. Express | A♭ Major | 8 | 4B | 87 BPM | ||
| Sunday Shade | Joe Tatton Trio | A Minor | 5 | 8A | 83 BPM | ||
| Hunk O' Funk | Jack McDuff | C Minor | 4 | 5A | 173 BPM | ||
| Where I’m Coming From | Leon Spencer | G Major | 4 | 9B | 157 BPM | ||
| Pig Foots | Big John Patton | F Minor | 5 | 4A | 143 BPM | ||
| I'll Be There | Boogaloo Joe Jones | F Major | 5 | 7B | 115 BPM | ||
| Back At The Chicken Shack | Jimmy Smith | F Major | 4 | 7B | 107 BPM | ||
| Night Club | Mose Allison | C Major | 6 | 8B | 115 BPM | ||
| De Bug | Freddie Roach | F Major | 5 | 7B | 175 BPM | ||
| Express Yourself | Idris Muhammad | A♭ Major | 5 | 4B | 92 BPM | ||
| Blue Riff - Remastered | Stanley Turrentine & The Three Sounds | D Minor | 1 | 7A | 92 BPM | ||
| Georgia On My Mind | Boogaloo Joe Jones | C Major | 2 | 8B | 146 BPM | ||
| Au Right | George Duke | B♭ Minor | 5 | 3A | 122 BPM | ||
| Orange Peel | Reuben Wilson | F Major | 5 | 7B | 124 BPM | ||
| You Did It, You Did It | Rahsaan Roland Kirk | C Major | 2 | 8B | 173 BPM | ||
| 'Cause I Love Her | Charles Earland | D Minor | 7 | 7A | 129 BPM | ||
| Always There | Ronnie Laws | D♭ Major | 9 | 3B | 104 BPM | ||
| Midnight Melody | Furski | C Major | 5 | 8B | 111 BPM | ||
| The Seventh Son | Mose Allison | A Minor | 2 | 8A | 118 BPM | ||
| Eboness | Yusef Lateef | E♭ Major | 3 | 5B | 123 BPM | ||
| If You're Goin' to the City | Mose Allison | B♭ Minor | 6 | 3A | 81 BPM | ||
| And On The Third Day (For Gary Burton), Pt. 2 | Michael Gibbs | E Minor | 4 | 9A | 118 BPM | ||
| The Young Rabbits | The Jazz Crusaders | C Major | 9 | 8B | 146 BPM |