Hallelujah, Amen from Judas Maccabaeus by George Frideric Handel, Mormon Tabernacle Choir, Eugene Ormandy, Philadelphia Orchestra Song Details

George Frideric Handel, Mormon Tabernacle Choir, Eugene Ormandy, Philadelphia Orchestra's ' "Hallelujah, Amen from Judas Maccabaeus" was released on its scheduled release date, 1960. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Hallelujah, Amen from Judas Maccabaeus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Handel Collection". In this album, this song's track order is #21. In terms of popularity, Hallelujah, Amen from Judas Maccabaeus is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Hallelujah, Amen from Judas Maccabaeus by George Frideric Handel, Mormon Tabernacle Choir, Eugene Ormandy, Philadelphia Orchestra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.249 dB
Acousticness: 95%
Danceability: 59%
Energy: 43%
Instrumentalness: 6%
Liveness: 23%
Loudness: 71%
Speechiness: 3%
Valence: 63%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 5 in D Major: 1. Allegro ma non troppo - Allegro assai	William Boyce, Academy of Ancient Music, Christopher Hogwood	D♭ Major	2	3B	131 BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai	Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt	E Major	2	12B	142 BPM
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro	Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek	C Minor	1	5A	180 BPM
Serse, HWV 40: Largo "Ombra mai fu"	George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra	G Major	1	9B	82 BPM
Flute Concerto in A Minor, QV 5:238: III. Allegro assai	Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi	C Minor	1	5A	92 BPM
Armide: Passacaille	Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques	F Minor	1	4A	122 BPM
Purcell: Chacony in G Minor, Z. 730	Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields	B♭ Major	4	6B	113 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Fauré: Pavane, Op. 50 (Instrumental Version)	Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields	F♯ Minor	1	11A	70 BPM
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace	Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica	A♭ Major	3	4B	83 BPM
Lo frate 'nnamorato: II. Andante	Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato	E Minor	5	9A	165 BPM
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet	Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori	B Major	2	1B	141 BPM
Trio Sonata in F Major, HWV 392: IV. Allegro assai	George Frideric Handel, The Brook Street Band	E Major	4	12B	144 BPM
Oboe Concerto in D Minor: II. Adagio	Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra	D Minor	1	7A	131 BPM
Serenata notturna in D Major, K. 239: I. Marcia. Maestoso	Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan	A Major	0	11B	118 BPM
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos)	Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi	C Major	0	8B	122 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn"	George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze	A Major	1	11B	84 BPM
Lully: Ballet des muses, LWV 32: Air. "Trop indiscret Amour" (Euridice)	Jean-Baptiste Lully, Les Arts Florissants, William Christie, Sophie Daneman	F Minor	1	4A	71 BPM
Enigma Variations, Op. 36: Theme. Andante	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	113 BPM
Oboe Concerto in C: 3. Siciliana	Domenico Cimarosa, Heinz Holliger, I Musici	A Minor	1	8A	84 BPM
Concerto in F Major, S. 234: I. Vivace	Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel	A Major	0	11B	118 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Flute Concerto in D Minor, QV 5:81: II. Arioso	Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi	G Minor	2	6A	77 BPM