"II. Passacaglia "Death of Falstaff"" by William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra had its release date on March 16, 2024. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. II. Passacaglia "Death of Falstaff"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra's "Henry V: Two Pieces for Strings" album is number 2 out of 2. On top of that, United States appears to be the country where this track was created. In terms of popularity, II. Passacaglia "Death of Falstaff" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Passacaglia "Death of Falstaff" by William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude and Fugue in G Major BWV 541 | Ales Barta | G Major | 2 | 9B | 155 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Prelude in C Sharp Minor, Op. 3, No. 2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| Faun’s Riddle (Acertijo del Fauno) | Julián Fueyo | F♯ Minor | 0 | 11A | 104 BPM | ||
| Chopin: Nocturne No. 2 - slowed + reverb | Classical Slowed + Reverb | D♭ Minor | 0 | 12A | 68 BPM | ||
| Symphony No. 2 in C Major, Op. 61: III. Langsam | Robert Schumann, Piano Duo Takahashi | Lehmann | D Major | 7 | 10B | 129 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Minor | 0 | 11A | 147 BPM | ||
| Piano Concerto No. 1: III. Allegro con passione | Alexey Shor, Behzod Abduraimov, Royal Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 2 | 6B | 73 BPM | ||
| Fantasia op. 19 | Luigi Legnani, Andrés Madariaga | G Major | 2 | 9B | 100 BPM | ||
| The Firebird Suite (1919 Version): Lullaby - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | ||
| Francesca da Rimini, Op. 25, Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | A♭ Major | 0 | 4B | 135 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | A Minor | 2 | 8A | 87 BPM | ||
| Pelléas et Mélisande: XI. Duel. Épée de jalousie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
| Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song - Arr. for Piano and Cello by Cory Alstad and Ben Goheen | Edvard Grieg, Ben Goheen, Cory Alstad, Ophelia Wilde | C Major | 1 | 8B | 202 BPM | ||
| Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 88 BPM | ||
| Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
| Forlorn Mermaid | Arseniy Gusev | D♭ Major | 0 | 3B | 127 BPM | ||
| Cavatina: Barcarole | Alexandre Tansman, Andrés Madariaga | G Major | 2 | 9B | 100 BPM | ||
| Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Major | 3 | 10B | 111 BPM | ||
| Tchaikovsky: Symphony No. 3 in D Major, Op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Riccardo Muti | G Minor | 2 | 6A | 129 BPM | ||
| The Enchanted Lake, Op. 62 | Anatoly Lyadov, Alan Gilbert, New York Philharmonic | D♭ Major | 0 | 3B | 71 BPM | ||
| Pirouette | Jean-Philippe Rieu | E♭ Minor | 2 | 2A | 72 BPM |