On December 31, 1957, the song "Aththanum Naanthane" was released by S. C. Krishnan, T. V. Rathinam. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Aththanum Naanthane's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Chakravarthi Thirumagal by G.Ramanathan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aththanum Naanthane's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aththanum Naanthane by S. C. Krishnan, T. V. Rathinam is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unakkedhu Sondham - Kutti Aadu Thappivanthal | C. S. Jayaraman | C Minor | 8 | 5A | 94 BPM | ||
| Vedhana Vimaland | K. B. Sundarambal | F♯ Major | 4 | 2B | 99 BPM | ||
| Aasai Mama En Aasai | Jamuna Rani, S. C. Krishnan, A Maruthakasi | B♭ Major | 4 | 6B | 68 BPM | ||
| Peygalai Nambaathey | Kamal Hasan | D Major | 5 | 10B | 106 BPM | ||
| Mayakkama - Revival | P. B. Sreenivas | F Minor | 4 | 4A | 109 BPM | ||
| Pani Illaatha - Instrumental - Aananda Jothi | Revathy Krishna | G Major | 3 | 9B | 150 BPM | ||
| Thazhayaam Poomudichi | T. M. Soundararajan, P. Leela | E Minor | 3 | 9A | 155 BPM | ||
| Ammamma (Female) | Pushpalatha | E Minor | 5 | 9A | 100 BPM | ||
| Ondru Serntha Anbu | P. B. Sreenivas, Udatha Sarojini | D Minor | 1 | 7A | 85 BPM | ||
| Chinna Kannan | M. Balamuralikrishna | B♭ Minor | 8 | 3A | 128 BPM | ||
| Thaalaattu Naan Poranthen | Malaysia Vasudevan | D Major | 7 | 10B | 68 BPM | ||
| Neenga Nallairukkanum | Sirkazhi Govindarajan | F Major | 4 | 7B | 122 BPM | ||
| Paar Magale | M. S. Viswanathan | G Major | 3 | 9B | 109 BPM | ||
| Brundha Vanamum | A. M. Rajah, P. Susheela | E Minor | 7 | 9A | 163 BPM | ||
| Annamma Nee Ennamma | Jikki, S. C. Krishnan, Thanjai N. Ramaiah Dass | B Minor | 6 | 10A | 80 BPM | ||
| Thiruneeril | Soolamangalam Sisters | C Minor | 2 | 5A | 151 BPM | ||
| Kannum Kannum Pesuthu | P. B. Srinivas, Jamuna Rani | B♭ Major | 5 | 6B | 114 BPM | ||
| Intha Ulagame Nadagamedaiyada | Ghantasala, Sirkazhi Govindarajan, S. C. Krishnan | E♭ Major | 7 | 5B | 79 BPM | ||
| Aaha Inba Nilaavinile | Ghantasala, P. Leela | A♭ Major | 4 | 4B | 68 BPM | ||
| Andru Oomai Pennallo | P. Susheela, A. L. Raghavan | B Minor | 5 | 10A | 102 BPM | ||
| Mama Mama | Shankar - Ganesh, S. C. Krishnan, Kovai Soundararajan | F Major | 7 | 7B | 66 BPM | ||
| Nayagamae Nabi | S. C. Krishnan | A Major | 9 | 11B | 80 BPM | ||
| Vethalaya Potendi | M. S. Viswanathan | E♭ Major | 9 | 5B | 94 BPM | ||
| Amma Endral Anbu | Jayalalithaa | F Major | 7 | 7B | 96 BPM | ||
| Makkal Yaavarum | Nagore E.M. Haniffa, Chorus | D Minor | 6 | 7A | 161 BPM |