Ray Conniff's ' "Love Letters" was released on its scheduled release date, April 7, 2000. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Love Letters's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in Broadway In Rhythm/Hollywood In Rhythm by Ray Conniff. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Love Letters is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Love Letters by Ray Conniff is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Waltz | Anthony Ventura | C Major | 3 | 8B | 103 BPM | ||
| Concierto No 1 | Cuerdas y Metales | C Minor | 3 | 5A | 118 BPM | ||
| Love Me With All Your Heart | 50 Guitars of Tommy Garrett | G Major | 4 | 9B | 184 BPM | ||
| Cantando Bajo la Lluvia | Henry Salomon y su Orquesta | B♭ Minor | 2 | 3A | 93 BPM | ||
| As Time Goes By | Kai Warner | C Major | 3 | 8B | 111 BPM | ||
| Solamente una Vez / Frenesi | Bob Fleming | F Major | 5 | 7B | 111 BPM | ||
| Forget Him | Tony Hatch | D♭ Major | 3 | 3B | 95 BPM | ||
| Wenn wir auseinandergeh'n (Please Release Me) | Captain Cook Und Seine Singenden Saxophone | A♭ Major | 5 | 4B | 104 BPM | ||
| Begin the Beguine | 101 Strings Orchestra | E Minor | 2 | 9A | 131 BPM | ||
| Siempre en Mi Corazón | Cuerdas y Metales | C Minor | 3 | 5A | 118 BPM | ||
| (The Gang That Sang) Heart of My Heart | Les Elgart & His Orchestra | A♭ Major | 2 | 4B | 140 BPM | ||
| Emmanuel | Orquesta Instrumental Latinoamericana | B Minor | 4 | 10A | 118 BPM | ||
| Memories of Summer | Tony Hatch | D Major | 3 | 10B | 93 BPM | ||
| Café Express | The Leiber Stoller Orchestra | C Major | 3 | 8B | 178 BPM | ||
| The Continental (You Kiss While You're Dancing) | Ray Conniff | A♭ Major | 5 | 4B | 170 BPM | ||
| The Way You Look Tonight | Ray Conniff | C Minor | 3 | 5A | 122 BPM | ||
| Michelle | 50 Guitars of Tommy Garrett | D Minor | 2 | 7A | 109 BPM | ||
| Aquellos Ojos Verdes | François Gilbert | D Minor | 3 | 7A | 178 BPM | ||
| Elvira Madigan - Theme - Original Musicor Recordings | Hugo Winterhalter | F Major | 3 | 7B | 95 BPM | ||
| Woodpecker Song | Tony Mottola | B♭ Major | 2 | 6B | 91 BPM | ||
| Wonderful Copenhagen | Helmut Zacharias | B♭ Major | 2 | 6B | 91 BPM | ||
| Never On Sunday | Don Costa And His Orchestra | G Major | 4 | 9B | 131 BPM | ||
| Music To Watch Girls By | The Bob Crewe Generation | C Minor | 5 | 5A | 139 BPM | ||
| 3rd MELODY | Stephen Schlaks, JON WALLS | E♭ Major | 4 | 5B | 130 BPM | ||
| Strange Music | Hugo Winterhalter And His Orchestra | B♭ Minor | 4 | 3A | 132 BPM |