David Perez, Aren Suarez's ' "Contact - Aren Suarez Remix" was released on its scheduled release date, March 26, 2020. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 2 out of 2 in Contact by David Perez. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Contact - Aren Suarez Remix's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Contact - Aren Suarez Remix by David Perez, Aren Suarez is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Armonico No. 3 in A Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F Minor | 1 | 4A | 84 BPM | ||
| Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
| Polifemo: Overture | Nicola Porpora, Stefan Plewniak, Orchestre de l'Opéra Royal | D♭ Major | 4 | 3B | 123 BPM | ||
| The Voyage of Dreams | Anastasiia Shevchenko | A Major | 4 | 11B | 105 BPM | ||
| Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | ||
| No Me Soltarás (feat. David Pérez) | Emmanuel Y Linda Espinosa, David Perez | A♭ Major | 6 | 4B | 82 BPM | ||
| Flute Concerto in G Major: I. Cantabile | David Perez, Renata Cataldi, Musiche da Camera, Le, Egidio Mastrominico | A Major | 1 | 11B | 122 BPM | ||
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": III. Presto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 1 | 12B | 135 BPM | ||
| Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
| Concerto Grosso in D Major, Op. 3, No. 6: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Major | 2 | 11B | 94 BPM | ||
| Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, I Virtuosi Italiani, Alberto Martini | A Major | 1 | 11B | 102 BPM | ||
| Dance with Me | David Perez | B♭ Minor | 6 | 3A | 124 BPM | ||
| Telemann: Concerto for Oboe and Violin, TWV 52:c1: I. Adagio (Formerly Attributed to Vivaldi as RV Anh. 17) | Georg Philipp Telemann, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: III. Allegro assai | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 4 | 2B | 116 BPM | ||
| Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM | ||
| Concerto Grosso in D Major, Op. 3, No. 1: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 114 BPM | ||
| "Sonate à quatre parties" In D Major: 3. Modérément | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 135 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Sonata à Violino Solo di me Tomaso Albinoni, Coposta per Il Signor Pisendel In B Flat Major, So 32: IV. Allegro | Tomaso Albinoni, La Serenissima, Adrian Chandler | B♭ Major | 3 | 6B | 99 BPM | ||
| Concerto grosso No. 2 in G Major: IV. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Concerto Armonico No. 4 in G Major: Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 96 BPM | ||
| Salieri, A: Keyboard Concerto in B-Flat Major: II. Adagio | Antonio Salieri, Claudio Scimone, Paul Badura-Skoda, I Solisti Veneti | B♭ Major | 1 | 6B | 135 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 10: III. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 125 BPM |