枝豆みどり's 'ピアノソナタ第14番嬰ハ短調 Op. 27 第2番 「月光ソナタ」' had a release date set for June 9, 2015. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. There is only one song in ビューティフル・クラシック・ピアノ, so we believe that "ピアノソナタ第14番嬰ハ短調 Op. 27 第2番 「月光ソナタ」" is a single. Based on our statistics, ピアノソナタ第14番嬰ハ短調 Op. 27 第2番 「月光ソナタ」's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ピアノソナタ第14番嬰ハ短調 Op. 27 第2番 「月光ソナタ」 by 枝豆みどり is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sleeping Beauty, Op.66: Act Ⅱ: Aurora Variation (Limbering) | Pyotr Ilyich Tchaikovsky, 유연하 (Rebecca Y. Yoo) | G Major | 2 | 9B | 87 BPM | ||
| Adagio 3/4 (Op. 17 n°4 Mazurka in A min) | The Ballet Pianist | F♯ Major | 0 | 2B | 91 BPM | ||
| 쇼팽 - 왈츠 Op.64 - 2번 Chopin - Waltz Op.64 No.2 | Melody Studio, Melody Studio Melody Studio | D♭ Minor | 0 | 12A | 87 BPM | ||
| Candle Light | Maria Tymoshenko | A Minor | 0 | 8A | 67 BPM | ||
| Waltz in A minor, B. 150 | Classical Coterie | F Minor | 1 | 4A | 90 BPM | ||
| The Day Breaks in France | Teres | G Major | 1 | 9B | 88 BPM | ||
| Nocturnes, Op. 9: No. 2 in E-Flat Major, Andante | Frédéric Chopin, Giovanni Umberto Battel | D Minor | 1 | 7A | 75 BPM | ||
| Piano Sonata No. 16 in C Major, K. 545: II. Andante | Wolfgang Amadeus Mozart, Carlo Balzaretti | E♭ Major | 0 | 5B | 84 BPM | ||
| Breakpoint | Damian Berens | F Major | 0 | 7B | 71 BPM | ||
| Reverie (Schumann) | David L Tolley | C Major | 1 | 8B | 124 BPM | ||
| The Swans: Valse Mélancolique No. 5 in E Minor | Danaë Xanthe Vlasse | B Minor | 1 | 10A | 104 BPM | ||
| Glasperlenspiel No. 7 | Carlos Marquez | A Minor | 0 | 8A | 77 BPM | ||
| minimal nocturne no. 5 | Carlos Marquez | C Minor | 0 | 5A | 168 BPM | ||
| Felix Mendelssohn - Songs Without Words, Op. 30, No. 6 "Venetian Gondola Song" | Lori Henriques | F♯ Minor | 1 | 11A | 69 BPM | ||
| ノスタルジー | Patrick Péronne | G Minor | 2 | 6A | 128 BPM | ||
| 前奏曲第4番ホ短調 Op. 28 | 枝豆みどり | D Minor | 0 | 7A | 114 BPM | ||
| The Swans: Valse Mélancolique No. 3 in D Minor | Danaë Xanthe Vlasse | G Minor | 1 | 6A | 126 BPM | ||
| Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | ||
| The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Piano & Bass) | Camille Saint-Saëns, PianoBasso | A Major | 0 | 11B | 70 BPM | ||
| 前奏曲第1巻 L. 117 「亜麻色の髪の乙女」 | 枝豆みどり | F♯ Major | 0 | 2B | 131 BPM | ||
| Für Elise - Beethoven | Michael Charles Clark | A Minor | 1 | 8A | 141 BPM | ||
| Esfinges | Batalladores | D Major | 6 | 10B | 120 BPM | ||
| The Seasons, Op. 37a: No. 6, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Vadim Chaimovich | B♭ Minor | 2 | 3A | 102 BPM | ||
| Tendu E Major (64) | Jack Lloyd O'Donnell, Wireless Lovebird | A♭ Major | 0 | 4B | 69 BPM | ||
| Butterfly | Kevin Kern | E Major | 1 | 12B | 108 BPM |