"Fine Line, My Side" by Red Handed Denial had its release date on September 25, 2009. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 6 in Eyes and Liquid Skies by Red Handed Denial. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Fine Line, My Side's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fine Line, My Side by Red Handed Denial is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sanity In Madness | Crashing Atlas | F Minor | 9 | 4A | 120 BPM | ||
| The Hourglass | Future Static | A♭ Major | 10 | 4B | 98 BPM | ||
| High Strung | After Hour Animals | A Major | 9 | 11B | 180 BPM | ||
| The Craving | Varna | D♭ Minor | 10 | 12A | 166 BPM | ||
| All Downhill from Here | The Anchor | D Major | 9 | 10B | 85 BPM | ||
| Nirn | Daedric | D Major | 9 | 10B | 140 BPM | ||
| Haunted House | VENUES | G Minor | 3 | 6A | 119 BPM | ||
| Razorblade Teeth | VENUES | G Major | 8 | 9B | 130 BPM | ||
| Parasite | Red Handed Denial | E♭ Major | 10 | 5B | 110 BPM | ||
| Marigold | Lauren Babic, Werner Erkelens, Michael Avery, Thomas Diognardi | C Minor | 10 | 5A | 107 BPM | ||
| Screamworks | 2 Shadows | B♭ Minor | 5 | 3A | 130 BPM | ||
| Lifeline | The Anchor | F♯ Major | 9 | 2B | 85 BPM | ||
| Worn Out | Afterglow | F♯ Major | 9 | 2B | 160 BPM | ||
| Doomsday | Gore. | F Major | 8 | 7B | 155 BPM | ||
| If I'm James Dean, You're Audrey Hepburn | Lauren Babic | A♭ Minor | 10 | 1A | 158 BPM | ||
| Titan | Daedric | B♭ Minor | 9 | 3A | 75 BPM | ||
| WRONG END OF THE KNIFE | Butcher Babies | G Major | 8 | 9B | 180 BPM | ||
| Elysium | Red Handed Denial | B Minor | 9 | 10A | 110 BPM | ||
| Night Mother | Daedric | A Minor | 3 | 8A | 117 BPM | ||
| Last Dance | Butcher Babies | D Major | 9 | 10B | 128 BPM | ||
| Playing With Fire is Such a Cliché | Galleons | G Major | 9 | 9B | 100 BPM | ||
| The Victim | Lauren Babic, Rian Cunningham, Chasing Satellites | F♯ Minor | 10 | 11A | 125 BPM | ||
| Proxy | Tulip | B♭ Major | 9 | 6B | 144 BPM | ||
| Hysteria | Spiritbox | B Minor | 9 | 10A | 104 BPM | ||
| We Are Nøt Okay | OCEANS, Andy Dörner | E Minor | 9 | 9A | 125 BPM |