"And So" by Caroline Shaw, Sō Percussion had its release date on June 14, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Rectangles and Circumstance". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, And So's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With And So by Caroline Shaw, Sō Percussion having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sheila63: No. 1, Introduction | Dmitri Tymoczko, Martha Cluver, Mellissa Hughes, Caroline Shaw, Illinois Modern Ensemble, Stephen Andrew Taylor | A Major | 1 | 11B | 147 BPM | ||
| September II | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Viola Quartet | Jonny Greenwood | C Minor | 2 | 5A | 120 BPM | ||
| Meditation 1 | Rebekah Reid | A♭ Minor | 0 | 1A | 101 BPM | ||
| Valley | Sokratis Sinopoulos, Yann Keerim | E Minor | 1 | 9A | 124 BPM | ||
| Golden Brown | Estoria | E♭ Major | 1 | 5B | 133 BPM | ||
| Désintegration (Version for Flute and String Quintet) | JB Dunckel, Shuichi Okada, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Marie Laforge, Harry Allouche | E♭ Major | 1 | 5B | 133 BPM | ||
| Mosquito | Tara Nome Doyle | D Minor | 1 | 7A | 66 BPM | ||
| Scene 3 | Michael Galasso | G Major | 1 | 9B | 126 BPM | ||
| Winter Is Coming / Return Of The Transponder | Craig Wedren, Anna Waronker, Caroline Shaw | D♭ Major | 3 | 3B | 83 BPM | ||
| Flight - Oltrepassare III - Edit | Pietro Roffi | D♭ Major | 1 | 3B | 90 BPM | ||
| Woodwind Quintet No. 1: Music as a mirror | Sophia Jani, Dandelion Quintett | A♭ Major | 1 | 4B | 69 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| As Light Moves | Jim Perkins | B Minor | 1 | 10A | 76 BPM | ||
| Scene 4 | Michael Galasso | G Minor | 1 | 6A | 76 BPM | ||
| HOMETOWN | Sarah Kay, The Westerlies, Caroline Shaw | A Minor | 3 | 8A | 130 BPM | ||
| To Music | Caroline Shaw, Sō Percussion | B♭ Major | 2 | 6B | 120 BPM | ||
| The Broken Forest | Laura Cannell | E♭ Major | 1 | 5B | 133 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Ah, Belinda | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | C Minor | 1 | 5A | 117 BPM | ||
| Nocturne | Dobrinka Tabakova, Ivan Yanakov | E Major | 0 | 12B | 120 BPM | ||
| Arise | Isobel Waller-Bridge | G Minor | 4 | 6A | 100 BPM | ||
| Aux confins | Gaspar Claus | D Minor | 2 | 7A | 130 BPM | ||
| Movement 5 - Pt. 1 - Instrumental | Erland Cooper, Scottish Ensemble | C Major | 0 | 8B | 74 BPM | ||
| Being Anne | Anne Müller | E Minor | 2 | 9A | 84 BPM |