On 1992, the song "Why Is the Devil Red?" was released by Lost Dogs. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Why Is the Devil Red?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Scenic Routes". In this album, this song's track order is #13. Based on our statistics, Why Is the Devil Red?'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Why Is the Devil Red? by Lost Dogs having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Victims of the Age | Mark Heard | E Major | 5 | 12B | 114 BPM | ||
| Do You Know | Dogs Of Peace | E Minor | 3 | 9A | 124 BPM | ||
| One Way | Larry Norman | C Major | 1 | 8B | 130 BPM | ||
| Dunce Cap | Lost Dogs | D Major | 4 | 10B | 52 BPM | ||
| I Hear You | Susan Ashton | D Major | 4 | 10B | 81 BPM | ||
| Be Still My Soul | The Kry | F♯ Major | 3 | 2B | 70 BPM | ||
| The Gods of Men | Randy Stonehill | E Major | 8 | 12B | 138 BPM | ||
| The Ocean | The Choir | G Major | 6 | 9B | 80 BPM | ||
| Every Time It Rains | Rez Band | G Minor | 5 | 6A | 78 BPM | ||
| Love Never Fails - 1 Corinthians 13:1-8 (feat. Josh White) | Sherri Youngward, Josh White | C Major | 5 | 8B | 83 BPM | ||
| Secret Place | Kim Hill | B♭ Major | 5 | 6B | 103 BPM | ||
| Until the Daybreak (feat. Jeremy Casella) | Indelible Grace Music, Jeremy Casella | E Major | 5 | 12B | 145 BPM | ||
| What's It Like | Downhere | D♭ Minor | 7 | 12A | 126 BPM | ||
| The Imposter's Song | Kevin Max | D Minor | 8 | 7A | 121 BPM | ||
| The Grace Of God - Great Lengths Album Version | PFR | G Major | 7 | 9B | 125 BPM | ||
| Peace - Flying Album Version | Grammatrain | G Major | 6 | 9B | 117 BPM | ||
| The Moshing Floor | Steve Taylor | A♭ Major | 10 | 4B | 164 BPM | ||
| You Bless Me | Darrell Evans | F Major | 7 | 7B | 138 BPM | ||
| If I Stand | Steve Cudworth, Bellsburg Sessions | G Minor | 1 | 6A | 95 BPM | ||
| Fifty-Eight | The Prayer Chain | E Major | 6 | 12B | 98 BPM | ||
| Completely Taken In | Dallas Holm | D Major | 5 | 10B | 117 BPM | ||
| I Can't Stop Thinking About You | The Kry | B Major | 7 | 1B | 109 BPM | ||
| Murder In The Big House | Chagall Guevara | E Minor | 9 | 9A | 122 BPM | ||
| The Great I Am | Burlap To Cashmere | A Minor | 7 | 8A | 89 BPM | ||
| Prophet, Priest and King | Smalltown Poets | G Major | 6 | 9B | 104 BPM |