Rudy Ray Moore's ' "Queen Philosophy" was released on its scheduled release date, March 25, 2008. At 7 minutes and 31 seconds, this song is fairly long compared to the average song length. On top of that, this track is considered explicit and may be disturbing to some, including children. There are a total of 6 in the song's album "Rudy Ray Moore Presents ... The Lady Reed Album - Queen Bee Talks". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Queen Philosophy is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Queen Philosophy by Rudy Ray Moore having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Negroes | Richard Pryor | C Major | 2 | 8B | 92 BPM | ||
| Funky Broadway Part 1 | Dyke & The Blazers | D♭ Major | 5 | 3B | 122 BPM | ||
| Willie D | Martha Reeves & The Sweet Things | E♭ Major | 8 | 5B | 116 BPM | ||
| 'Tis Your Kind of Music | Graham Central Station | C Minor | 7 | 5A | 97 BPM | ||
| Get Up And Get Down | The Dramatics | D♭ Minor | 7 | 12A | 100 BPM | ||
| Tribute To A Slave | Nat Turner Rebellion | F Minor | 6 | 4A | 91 BPM | ||
| Funky Black Man | Earnest Jackson | B Major | 7 | 1B | 156 BPM | ||
| Last Train | Graham Central Station | A Major | 10 | 11B | 110 BPM | ||
| I Want'a Do Something Freaky To You | Leon Haywood | F♯ Minor | 4 | 11A | 92 BPM | ||
| The Fall Of Jezebel | Rudy Ray Moore | G Major | 4 | 9B | 105 BPM | ||
| Can't Stay Away | Bootsy Collins | A♭ Major | 5 | 4B | 74 BPM | ||
| Fix-It Man | Bernie Mac | B Major | 5 | 1B | 72 BPM | ||
| Disco to Go | Brides Of Funkenstein | A Minor | 7 | 8A | 94 BPM | ||
| Very Yes | Bootsy Collins | F♯ Minor | 8 | 11A | 141 BPM | ||
| Make Me What You Want Me To Be | Fred Wesley & The J.B.'s | C Major | 8 | 8B | 127 BPM | ||
| Ring A-Ling Dong | Rudy Ray Moore | E♭ Major | 7 | 5B | 166 BPM | ||
| Jagger the Dagger | Eugene McDaniels | C Major | 3 | 8B | 89 BPM | ||
| You're Leaving | Parlet | G Minor | 7 | 6A | 163 BPM | ||
| Vanish in Our Sleep | Bootsy Collins | F♯ Minor | 4 | 11A | 174 BPM | ||
| Can You Get It | Mandrill | C Major | 9 | 8B | 122 BPM | ||
| Coffy Is The Color - From The "Coffy" Soundtrack | Roy Ayers, Dee Dee Bridgewater, Wayne Garfield | B♭ Minor | 8 | 3A | 130 BPM | ||
| Got to Go Through It to Get to It | Graham Central Station | C Major | 9 | 8B | 143 BPM | ||
| The American Promise | RAMP | B♭ Minor | 9 | 3A | 106 BPM | ||
| The Breakdown - Pt. 2 | Rufus Thomas | A Minor | 8 | 8A | 99 BPM | ||
| Grand Theft | Chocolate Milk | A Minor | 5 | 8A | 106 BPM |