"To Me, You're Worthless" by Nathan Micay had its release date on December 4, 2020. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nathan Micay's "Industry OST" album is number 9 out of 14. On top of that, United Kingdom appears to be the country where this track was created. To Me, You're Worthless is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Me, You're Worthless by Nathan Micay to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Expand | CHLOE (Thévenin) | B♭ Minor | 2 | 3A | 110 BPM | ||
| Imitaciones | Universos Terrenales | A Major | 1 | 11B | 99 BPM | ||
| Scrapper | Patrick Jonsson | C Major | 1 | 8B | 88 BPM | ||
| Suspect Everyone | Dan Deacon | F Minor | 1 | 4A | 152 BPM | ||
| No Smoking Allowed Here | Cliff Martinez | C Minor | 0 | 5A | 71 BPM | ||
| The Leshy | Danz CM | B♭ Minor | 2 | 3A | 110 BPM | ||
| A Port Side Autopsy | Nathan Micay | F Major | 2 | 7B | 123 BPM | ||
| Illuminator | Andrew Keese | C Major | 1 | 8B | 64 BPM | ||
| To the Monsters We're the Monsters | Dan Romer | A Minor | 3 | 8A | 65 BPM | ||
| The Middle | Emiliana Harlow, Emily Harlow | G Minor | 2 | 6A | 80 BPM | ||
| That Was A Guy's Thing | Jay McCarrol | C Major | 1 | 8B | 116 BPM | ||
| Harry's Flat | Emilie Levienaise-Farrouch | E Major | 1 | 12B | 68 BPM | ||
| Rooftop Prelude | Andrew Wyatt, David Chase | D♭ Major | 4 | 3B | 96 BPM | ||
| You're Far Too Young | Nathan Micay | C Major | 1 | 8B | 108 BPM | ||
| Manifest Love Attract a Soul Mate | Connectionist, Manifesting Money Music, Manifest Now | B♭ Minor | 2 | 3A | 110 BPM | ||
| Children Of The Stars | David Buckley | B♭ Minor | 2 | 3A | 110 BPM | ||
| Come Home | Bryce Dessner, Michael Blasky | F Major | 2 | 7B | 68 BPM | ||
| The Engine Room | Alexandra Harwood | A♭ Major | 2 | 4B | 70 BPM | ||
| 408.2 You Are Special | Mac Quayle | F Minor | 3 | 4A | 104 BPM | ||
| End Credits - Let's Go Make Some Money | Nathan Micay | E Minor | 8 | 9A | 110 BPM | ||
| Air | Jason Hill | C Minor | 2 | 5A | 120 BPM | ||
| The Tremors | Jan Miserre, John Gürtler | B♭ Major | 1 | 6B | 70 BPM | ||
| The Void | Bryce Dessner | D♭ Major | 1 | 3B | 97 BPM | ||
| Pennsylvania | Daniel Blumberg | A Minor | 4 | 8A | 126 BPM | ||
| 408.1 Hide And Seek | Mac Quayle | C Minor | 0 | 5A | 66 BPM |